{"id":1450,"date":"2019-05-21T12:54:48","date_gmt":"2019-05-21T10:54:48","guid":{"rendered":"https:\/\/www.upo.es\/area-historia-arte\/?page_id=1450"},"modified":"2019-07-16T11:14:24","modified_gmt":"2019-07-16T09:14:24","slug":"simposio-internacional-tornaviaje-espana-nueva-espana-siglos-xvi-xx","status":"publish","type":"page","link":"https:\/\/www.upo.es\/area-historia-arte\/simposio-internacional-tornaviaje-espana-nueva-espana-siglos-xvi-xx\/","title":{"rendered":"Simposio internacional \u00abTornaviaje Espa\u00f1a-Nueva Espa\u00f1a: siglos XVI-XX\u00bb"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/TORNAVIAJE_PROGRAMA03-1_page-0001-1024x725.jpg\" alt=\"\" class=\"wp-image-1451\" width=\"598\" height=\"423\" srcset=\"https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/TORNAVIAJE_PROGRAMA03-1_page-0001-1024x725.jpg 1024w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/TORNAVIAJE_PROGRAMA03-1_page-0001-300x212.jpg 300w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/TORNAVIAJE_PROGRAMA03-1_page-0001-768x543.jpg 768w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/TORNAVIAJE_PROGRAMA03-1_page-0001.jpg 1754w\" sizes=\"(max-width: 598px) 100vw, 598px\" \/><\/figure><\/div>\n\n\n\n<p style=\"text-align:center\">Simposio internacional \u00abTornaviaje Espa\u00f1a-Nueva Espa\u00f1a: siglos XVI-XX\u00bb<\/p>\n\n\n\n<p style=\"text-align:center\"><strong>Fecha<\/strong>: 7 y 8 de marzo de 2019 <\/p>\n\n\n\n<p style=\"text-align:center\"><strong>Lugar<\/strong>: Universidad Pablo de Olavide y Archivo General de Indias, Sevilla<\/p>\n\n\n\n<p><strong>Direcci\u00f3n Acad\u00e9mica:<\/strong><\/p>\n\n\n\n<ul><li>Ilona Katzew (Los Angeles County Museum of Arte)<\/li><li>Fernando Quiles Garc\u00eda (Universidad Pablo de Olavide)<\/li><\/ul>\n\n\n\n<p><strong>Comisi\u00f3n Asesora:<\/strong><\/p>\n\n\n\n<ul><li>Martha Fern\u00e1ndez (UNAM)<\/li><li>Rafael L\u00f3pez Guzm\u00e1n (Univerisdad de Granada)<\/li><li>V\u00edctor M\u00ednguez (Universitat Jaume I, Castell\u00f3n)<\/li><li>M\u00aa del Consuelo Maqu\u00edvar (INAH)<\/li><li>Juan Manuel Monterroso Montero (Universidade de Santiago de Compostela)<\/li><li>Pedro Rueda (Universitat de Barcelona)<\/li><li>Julio J. Polo S\u00e1nchez (Universidad de Cantabria)<\/li><li>Nelly Sigaut (El Colegio de Michoac\u00e1n)<\/li><li>Francisco Vidargas (INAH)<\/li><\/ul>\n\n\n\n<p><strong>Secretar\u00eda t\u00e9cnica:<\/strong><\/p>\n\n\n\n<ul><li>M\u00aa de los \u00c1ngeles Fern\u00e1ndez Valle (coord.) (Universidad Pablo de Olavide)<\/li><li>Zara M\u00aa Ruiz Romero (Universidad Pablo de Olavide)<\/li><li>Victoria S\u00e1nchez Mellado (Universidad Pablo de Olavide)<\/li><li>Rafael Gonz\u00e1lez Madrid (Universidad Pablo de Olavide)<\/li><li>Rafael Molina Mart\u00edn (Universidad Pablo de Olavide)<\/li><\/ul>\n\n\n\n<p><strong>Organizan: <\/strong><\/p>\n\n\n\n<ul><li>Los Angeles County Museum of Art (LACMA). Departamento de Arte Latinoamericano<\/li><li>Universidad Pablo de Olavide. \u00c1rea de Historia del Arte<\/li><\/ul>\n\n\n\n<p><strong>Colaboran:<\/strong><\/p>\n\n\n\n<ul><li>Museo de Am\u00e9rica, Ministerio de Cultura y Deporte<\/li><li>Centro de Estudios del Barroco Iberoamericano (CEIBA)<\/li><li>Consulado Honorario de M\u00e9xico en Andaluc\u00eda<\/li><li>Consejo Superior de Investigaciones Cient\u00edficas. Ministerio de Cultura y Deporte<\/li><li>Archivo General de Indias. Ministerio de Cultura y Deporte<\/li><\/ul>\n\n\n\n<p><a href=\"https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/TORNAVIAJE_PROGRAMA03-3.pdf\">PROGRAMA<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Simposio internacional \u00abTornaviaje Espa\u00f1a-Nueva Espa\u00f1a: siglos XVI-XX\u00bb Fecha: 7 y 8 de marzo de 2019 Lugar: Universidad Pablo de Olavide[&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/1450"}],"collection":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/comments?post=1450"}],"version-history":[{"count":6,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/1450\/revisions"}],"predecessor-version":[{"id":1959,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/1450\/revisions\/1959"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/media?parent=1450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}