{"id":188,"date":"2019-03-27T16:42:48","date_gmt":"2019-03-27T15:42:48","guid":{"rendered":"https:\/\/www.upo.es\/area-historia-arte\/?page_id=188"},"modified":"2019-07-19T09:43:04","modified_gmt":"2019-07-19T07:43:04","slug":"i-ciclo-de-conferencias-arte-y-patrimonio-en-iberoamerica-15-de-febrero-de-2013","status":"publish","type":"page","link":"https:\/\/www.upo.es\/area-historia-arte\/i-ciclo-de-conferencias-arte-y-patrimonio-en-iberoamerica-15-de-febrero-de-2013\/","title":{"rendered":"I Ciclo de conferencias \u00abArte y Patrimonio en Iberoam\u00e9rica\u00bb"},"content":{"rendered":"\n<p style=\"text-align:center\">I Ciclo de conferencias \u00abArte y Patrimonio en Iberoam\u00e9rica\u00bb<\/p>\n\n\n\n<p style=\"text-align:center\"><strong>Fecha<\/strong>: 15 de febrero de 2013<\/p>\n\n\n\n<p style=\"text-align:center\"><strong>Lugar<\/strong>: Edificio 6, Sal\u00f3n de Grados &#8211; Universidad Pablo de Olavide, Sevilla<\/p>\n\n\n\n<ul><li><em>El retrato historiado de asunto metaf\u00f3rico en Goya: el caso de la Familia de Carlos IV<\/em>. Jos\u00e9 Manuel L\u00f3pez V\u00e1zquez (Universidad de Santiago de Compostela)<\/li><\/ul>\n\n\n\n<ul><li><em>Dimensiones culturales del grabado como bien patrimonial.<\/em> Rosa Cacheda Barreiro (Universidad de Vigo) <\/li><\/ul>\n\n\n\n<p><strong>Organiza:<\/strong><\/p>\n\n\n\n<ul><li>M\u00e1ster de Arte, Museos y Gesti\u00f3n del Patrimonio Hist\u00f3rico<\/li><li>\u00c1rea de Historia del Arte &#8211; Universidad Pablo de Olavide, Sevilla, Espa\u00f1a<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>I Ciclo de conferencias \u00abArte y Patrimonio en Iberoam\u00e9rica\u00bb Fecha: 15 de febrero de 2013 Lugar: Edificio 6, Sal\u00f3n de[&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/188"}],"collection":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/comments?post=188"}],"version-history":[{"count":9,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/188\/revisions"}],"predecessor-version":[{"id":2209,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/188\/revisions\/2209"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/media?parent=188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}