{"id":299,"date":"2019-03-31T13:10:55","date_gmt":"2019-03-31T11:10:55","guid":{"rendered":"https:\/\/www.upo.es\/area-historia-arte\/?page_id=299"},"modified":"2019-05-16T11:58:24","modified_gmt":"2019-05-16T09:58:24","slug":"defensa-de-tesis-doctoral-de-maria-del-carmen-naranjo-santana","status":"publish","type":"page","link":"https:\/\/www.upo.es\/area-historia-arte\/defensa-de-tesis-doctoral-de-maria-del-carmen-naranjo-santana\/","title":{"rendered":"Defensa de Tesis Doctoral de Mar\u00eda del Carmen Naranjo Santana"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/Defensa_de_tesis_doctoral_Maria_del_Carmen_Naranjo_Santana.jpg\" alt=\"\" class=\"wp-image-1131\" width=\"700\" height=\"233\" srcset=\"https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/Defensa_de_tesis_doctoral_Maria_del_Carmen_Naranjo_Santana.jpg 960w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/Defensa_de_tesis_doctoral_Maria_del_Carmen_Naranjo_Santana-300x100.jpg 300w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/Defensa_de_tesis_doctoral_Maria_del_Carmen_Naranjo_Santana-768x256.jpg 768w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure><\/div>\n\n\n\n<p>Mar\u00eda del Carmen Naranjo Santana ha obtenido el\nApto Cum Laude por su tesis doctoral titulada&nbsp;<em>Sociedades culturales y\ncient\u00edficas del siglo XIX en Canarias. El Gabinete Literario y el Museo Canario<\/em>.\nFue dirigida por los profesores Francisco Ollero Lobato, de la Universidad\nPablo de Olavide, y Francisco J. Javier Herrera, de la Universidad de Sevilla.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mar\u00eda del Carmen Naranjo Santana ha obtenido el Apto Cum Laude por su tesis doctoral titulada&nbsp;Sociedades culturales y cient\u00edficas del[&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/299"}],"collection":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/comments?post=299"}],"version-history":[{"count":3,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/299\/revisions"}],"predecessor-version":[{"id":1282,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/299\/revisions\/1282"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/media?parent=299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}