{"id":402,"date":"2019-04-01T12:59:05","date_gmt":"2019-04-01T10:59:05","guid":{"rendered":"https:\/\/www.upo.es\/area-historia-arte\/?page_id=402"},"modified":"2019-07-16T12:42:53","modified_gmt":"2019-07-16T10:42:53","slug":"febrero-2016-seminario-festividad-y-poder-en-la-epoca-moderna","status":"publish","type":"page","link":"https:\/\/www.upo.es\/area-historia-arte\/febrero-2016-seminario-festividad-y-poder-en-la-epoca-moderna\/","title":{"rendered":"Seminario \u00abFestividad y Poder en la \u00c9poca Moderna\u00bb"},"content":{"rendered":"\n<p style=\"text-align:center\"><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/img_0929baja.jpg\" alt=\"\" class=\"wp-image-1090\" width=\"573\" height=\"382\" srcset=\"https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/img_0929baja.jpg 787w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/img_0929baja-300x200.jpg 300w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/img_0929baja-768x512.jpg 768w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/img_0929baja-120x80.jpg 120w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/img_0929baja-360x240.jpg 360w, https:\/\/www.upo.es\/area-historia-arte\/wp-content\/uploads\/2019\/05\/img_0929baja-600x400.jpg 600w\" sizes=\"(max-width: 573px) 100vw, 573px\" \/><\/figure><\/div>\n\n\n\n<p style=\"text-align:center\">Seminario \u00abFestividad y Poder en la \u00c9poca Moderna\u00bb<\/p>\n\n\n\n<p><strong>Programa<\/strong>:<\/p>\n\n\n\n<ul><li>16\u00b400h. Las liturgias del poder en una ciudad perif\u00e9rica del imperio espa\u00f1ol: Santiago de Chile, entre la apoteosis borb\u00f3nica y la emergencia republicana. Jaime Valenzuela M\u00e1rquez (Pontificia Universidad Cat\u00f3lica de Chile)<\/li><\/ul>\n\n\n\n<ul><li>16\u00b445h. La plaza barroca, teatro del mundo. Francisco Ollero Lobato (Universidad Pablo de Olavide)<\/li><\/ul>\n\n\n\n<ul><li>17\u00b430h. La ficci\u00f3n del poder en la Sevilla barroca. Del retrato a la panor\u00e1mica urbana. Fernando Quiles Garc\u00eda (Universidad Pablo de Olavide)<\/li><\/ul>\n\n\n\n<ul><li>18\u00b415h. Coloquio<\/li><\/ul>\n\n\n\n<p><strong>Organizan<\/strong>: \u00c1rea de Historia Moderna y \u00c1rea de Historia del Arte &#8211; Universidad Pablo de Olavide<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seminario \u00abFestividad y Poder en la \u00c9poca Moderna\u00bb Programa: 16\u00b400h. Las liturgias del poder en una ciudad perif\u00e9rica del imperio[&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/402"}],"collection":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/comments?post=402"}],"version-history":[{"count":6,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/402\/revisions"}],"predecessor-version":[{"id":2007,"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/pages\/402\/revisions\/2007"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/area-historia-arte\/wp-json\/wp\/v2\/media?parent=402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}