{"id":30866112,"date":"2021-05-19T20:42:32","date_gmt":"2021-05-19T18:42:32","guid":{"rendered":"https:\/\/www.upo.es\/diario\/?p=30866112"},"modified":"2021-05-25T12:59:46","modified_gmt":"2021-05-25T10:59:46","slug":"art-risk","status":"publish","type":"post","link":"https:\/\/www.upo.es\/diario\/video\/2021\/05\/art-risk\/","title":{"rendered":"Art-Risk"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/552362650?title=0&amp;byline=0&amp;portrait=0\" width=\"750\" height=\"422\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Entre los 24 proyectos de 18 pa\u00edses europeos premiados en 2021 se encuentra <strong>Art-Risk, Inteligencia Artificial Aplicada a la Conservaci\u00f3n Preventiva<\/strong>, proyecto interdisciplinario de investigaci\u00f3n sobre conservaci\u00f3n del patrimonio cultural coordinado por la Universidad Pablo de Olavide.<\/p>\n<p><strong>Art-Risk ha sido premiado en la categor\u00eda de investigaci\u00f3n en los Premios del Patrimonio Europeo\/Premios Europa Nostra 2021<\/strong>. El proyecto surge de la necesidad t\u00e9cnica, social y econ\u00f3mica de establecer un instrumento eficaz de apoyo para hacer frente a la incertidumbre en la conservaci\u00f3n del patrimonio cultural. M\u00e1s informaci\u00f3n sobre Art-Risk:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.europeanheritageawards.eu\/winners\/art-risk-artificial-intelligence-applied-preventive-conservation\/\">https:\/\/www.europeanheritageawards.eu\/winners\/art-risk-artificial-intelligence-applied-preventive-conservation\/<\/a><\/li>\n<li><a href=\"https:\/\/www.upo.es\/investiga\/art-risk-service\/art-risk3\/\">https:\/\/www.upo.es\/investiga\/art-risk-service\/art-risk3\/<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>El proyecto Art-Risk, Inteligencia Artificial Aplicada a la Conservaci\u00f3n Preventiva, ganador de uno de los Premios Europeos del Patrimonio.<\/p>\n","protected":false},"author":6,"featured_media":30866113,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6038],"tags":[6312,1146,1161,1603,3407],"class_list":["post-30866112","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-video","tag-art-risk","tag-conservacion","tag-patrimonio-cultural","tag-pilar-ortiz","tag-software","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/posts\/30866112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/comments?post=30866112"}],"version-history":[{"count":2,"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/posts\/30866112\/revisions"}],"predecessor-version":[{"id":30866115,"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/posts\/30866112\/revisions\/30866115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/media\/30866113"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/media?parent=30866112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/categories?post=30866112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.upo.es\/diario\/wp-json\/wp\/v2\/tags?post=30866112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}