{"id":6502,"date":"2024-06-07T10:38:34","date_gmt":"2024-06-07T08:38:34","guid":{"rendered":"https:\/\/www.upo.es\/investiga\/atlanrex\/?p=6502"},"modified":"2024-06-07T10:40:49","modified_gmt":"2024-06-07T08:40:49","slug":"articulo-musica-en-transformacion-instrumentos-musicales-del-siglo-xvi-en-el-vocabulario-de-juan-de-cordova-1578-y-su-comparacion-con-el-de-francisco-de-alvarado-1593","status":"publish","type":"post","link":"https:\/\/www.upo.es\/investiga\/atlanrex\/2024\/06\/07\/articulo-musica-en-transformacion-instrumentos-musicales-del-siglo-xvi-en-el-vocabulario-de-juan-de-cordova-1578-y-su-comparacion-con-el-de-francisco-de-alvarado-1593\/","title":{"rendered":"Art\u00edculo: M\u00fasica en transformaci\u00f3n: instrumentos musicales del siglo XVI en el Vocabulario de Juan de C\u00f3rdova (1578) y su comparaci\u00f3n con el de Francisco de Alvarado (1593)"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"6502\" class=\"elementor elementor-6502\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ca1a4c9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ca1a4c9\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5b3a3e6e\" data-id=\"5b3a3e6e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6085b7a5 elementor-widget elementor-widget-text-editor\" data-id=\"6085b7a5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<p style=\"text-align: justify;\">REXPUBLICA les da a conocer el art\u00edculo \u00abM\u00fasica en transformaci\u00f3n: instrumentos musicales del siglo XVI en el Vocabulario de Juan de C\u00f3rdova (1578) y su comparaci\u00f3n con el de Francisco de Alvarado (1593)\u00bb de Irene G\u00f3mez Fern\u00e1ndez y Gonzalo S\u00e1nchez Santiago, publicado en la revista <em>American\u00eda<\/em>.<\/p>\n\n<p style=\"text-align: justify;\">Podr\u00e1n encontrar el art\u00edculo completo <a href=\"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-content\/uploads\/2024\/06\/Gomez-IreneyFernandez.pdf\">aqu\u00ed<\/a>. Enlace al n\u00famero 19 de <em>American\u00eda<\/em> <a href=\"https:\/\/www.upo.es\/revistas\/index.php\/americania\/issue\/view\/508\">aqu\u00ed<\/a>.<\/p>\n\n<figure class=\"wp-block-image size-full is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"742\" height=\"746\" src=\"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-content\/uploads\/2024\/06\/Captura-de-pantalla-2024-06-07-103318.png\" alt=\"\" class=\"wp-image-6504\" style=\"width: 839px; height: auto;\" srcset=\"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-content\/uploads\/2024\/06\/Captura-de-pantalla-2024-06-07-103318.png 742w, https:\/\/www.upo.es\/investiga\/atlanrex\/wp-content\/uploads\/2024\/06\/Captura-de-pantalla-2024-06-07-103318-298x300.png 298w, https:\/\/www.upo.es\/investiga\/atlanrex\/wp-content\/uploads\/2024\/06\/Captura-de-pantalla-2024-06-07-103318-150x150.png 150w, https:\/\/www.upo.es\/investiga\/atlanrex\/wp-content\/uploads\/2024\/06\/Captura-de-pantalla-2024-06-07-103318-600x603.png 600w\" sizes=\"(max-width: 742px) 100vw, 742px\" \/><\/figure>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>REXPUBLICA les da a conocer el art\u00edculo \u00abM\u00fasica en transformaci\u00f3n: instrumentos musicales del siglo XVI en el Vocabulario de Juan de C\u00f3rdova (1578) y su comparaci\u00f3n con el de Francisco de Alvarado (1593)\u00bb de Irene G\u00f3mez Fern\u00e1ndez y Gonzalo S\u00e1nchez Santiago, publicado en la revista American\u00eda. Podr\u00e1n encontrar el art\u00edculo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6504,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[78,72],"tags":[75,57,66],"class_list":["post-6502","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publicaciones","category-transferencia-del-conocimiento","tag-early-modern-history","tag-historia-moderna","tag-universidad-pablo-de-olavide"],"_links":{"self":[{"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/posts\/6502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/comments?post=6502"}],"version-history":[{"count":7,"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/posts\/6502\/revisions"}],"predecessor-version":[{"id":6511,"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/posts\/6502\/revisions\/6511"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/media\/6504"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/media?parent=6502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/categories?post=6502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/atlanrex\/wp-json\/wp\/v2\/tags?post=6502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}