{"id":1897,"date":"2021-02-25T19:48:18","date_gmt":"2021-02-25T18:48:18","guid":{"rendered":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=1897"},"modified":"2023-12-30T15:50:18","modified_gmt":"2023-12-30T14:50:18","slug":"artes-visuales-y-gestion-del-talento-estrategias-para-la-promocion-y-difusion-de-artistas-emergentes-en-andalucia-espana-y-otros-contextos-iberoamericanos","status":"publish","type":"page","link":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=1897","title":{"rendered":"Artes visuales y gesti\u00f3n del talento. Estrategias para la promoci\u00f3n y difusi\u00f3n de artistas emergentes en Andaluc\u00eda (Espa\u00f1a) y otros contextos iberoamericanos"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1897\" class=\"elementor elementor-1897\" data-elementor-settings=\"[]\">\n\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-element elementor-element-d09fa53 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"d09fa53\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7f05e1e elementor-column elementor-col-100 elementor-top-column\" data-id=\"7f05e1e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  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elementor-element-8ff9d93 elementor-column elementor-col-50 elementor-top-column\" data-id=\"8ff9d93\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ddeb035 elementor-widget elementor-widget-image\" data-id=\"ddeb035\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/rio.upo.es\/xmlui\/handle\/10433\/9506\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"213\" height=\"300\" src=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2021\/02\/Artes-visuales_portada-213x300.png\" class=\"elementor-animation-bounce-in attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2021\/02\/Artes-visuales_portada-213x300.png 213w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2021\/02\/Artes-visuales_portada.png 680w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fac5f1d elementor-column elementor-col-50 elementor-top-column\" data-id=\"fac5f1d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2764899 elementor-widget elementor-widget-text-editor\" data-id=\"2764899\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p>Detalles del libro<\/p>\n<ul>\n<li>Coordinadoras: Bel\u00e9n Mazuecos S\u00e1nchez y Mar\u00eda Jes\u00fas Cano Mart\u00ednez<\/li>\n<li>Editoriales: Enredars Publicaciones<\/li>\n<li>7.\u00ba volumen de la colecci\u00f3n Cuadernos del Aula<\/li>\n<li>ISBN: 978-84-09-27912-8<\/li>\n<li>A\u00f1o de publicaci\u00f3n: 2021<\/li>\n<li>N\u00famero de p\u00e1ginas: 278<\/li>\n<\/ul>\n<h3 style=\"text-align: center;\"><a href=\"http:\/\/hdl.handle.net\/10433\/9506\"><strong>Acceder ahora al libro<\/strong><\/a><\/h3><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-3bda59e elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"3bda59e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-90a5016 elementor-column elementor-col-100 elementor-top-column\" data-id=\"90a5016\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-828bbc5 elementor-widget elementor-widget-spacer\" data-id=\"828bbc5\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-1f906a4 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"1f906a4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-539b9c38 elementor-column elementor-col-100 elementor-top-column\" data-id=\"539b9c38\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2d88eb31 elementor-widget elementor-widget-text-editor\" data-id=\"2d88eb31\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><!-- wp:paragraph --><!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9490\">La investigaci\u00f3n en creaci\u00f3n art\u00edstica<\/a>. Vera Ca\u00f1izares, Santiago (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9491\">Sobrevivir en el sistema del arte: El inevitable emprendimiento<\/a>. Gonz\u00e1lez Mart\u00edn, C\u00e9sar (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9492\">El futuro incierto. \u00bfEst\u00e1 el mercado del arte contempor\u00e1neo preparado para recibir a los artistas emergentes que nuestras escuelas est\u00e1n creando?<\/a> De Pedro, Mar\u00eda Gracia (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9493\">Modelos de gesti\u00f3n cultural enfocados a la transformaci\u00f3n social: contrahegemon\u00eda, pol\u00edtica cultural, municipalismos e iniciativas sociales<\/a>. Pascual Guerrero, Carmen (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9494\">Estudio de egresados de la Titulaci\u00f3n de Graduado en Bellas Artes de la Facultad de Bellas Artes de Granada: periodo 2014-2017<\/a>. Caballero Rodr\u00edguez, Francisco; \u00a0Ib\u00e1\u00f1ez \u00c1lvarez, Jos\u00e9 (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9495\">Cuerpos conectados. Promoci\u00f3n y difusi\u00f3n del Arte de acci\u00f3n a trav\u00e9s de la red y las nuevas tecnolog\u00edas<\/a>. Cano Mart\u00ednez, Mar\u00eda Jes\u00fas (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9496\">Archivos <em>online<\/em> de artistas<\/a>. Vroom, Maite (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9497\">Experiencias en la Universidad de Sevilla. Gesti\u00f3n del talento art\u00edstico en el alumnado de la Facultad de Bellas Artes<\/a>. Vadillo, Marisa (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9498\">Emerger y sobrevivir: visibilizaci\u00f3n y promoci\u00f3n de j\u00f3venes artistas desde la Facultad de Bellas Artes de M\u00e1laga<\/a>. L\u00f3pez Rodr\u00edguez, Silvia (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9499\">La creaci\u00f3n de un programa de ayudas a la producci\u00f3n art\u00edstica en la Universidad de Granada: proyectos expositivos de las tres primeras ediciones (2016-2019)<\/a>. Mazuecos S\u00e1nchez, Bel\u00e9n (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9500\">Pol\u00edticas de promoci\u00f3n internacional para j\u00f3venes artistas de la Universidad de Granada<\/a>. Garc\u00eda L\u00f3pez, Ana (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9501\">Bienal Universitaria Andaluza de Creaci\u00f3n Pl\u00e1stica Contempor\u00e1nea. El proyecto BIUNIC: origen, conformaci\u00f3n, desarrollo y resultados<\/a>. De la Torre Amerighi, Iv\u00e1n (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9502\">Suburbia. Espacio independiente en Granada<\/a>. Ozzola, Francesco (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9503\">#UNDER35 Una generaci\u00f3n de artistas. Arte emergente para coleccionistas emergentes<\/a>. Montinaro, Antonella (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9504\">Mapeo de redes en el campo de las artes y la gesti\u00f3n cultural. Tres estudios de caso en Santiago de Cali, Colombia<\/a>. Duss\u00e1n G\u00f3mez, Carlos; Correa Caicedo, Juan Fernando (Enredars, 2021)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><a href=\"http:\/\/hdl.handle.net\/10433\/9505\">Aqu\u00ed y ahora: artistas emergentes locales. Trayectorias art\u00edsticas y mecanismos de legitimaci\u00f3n en Andaluc\u00eda (Espa\u00f1a) y el Estado de S\u00e3o Paulo (Brasil)<\/a>. Dolores Gallego, Mar\u00eda (Enredars, 2021)<\/p>\n<p>\u00a0<\/p>\n<p>Mazuecos S\u00e1nchez, Bel\u00e9n, Cano Mart\u00ednez, Mar\u00eda Jes\u00fas, (coords.). <a href=\"http:\/\/hdl.handle.net\/10433\/9506\"><em>Artes visuales y gesti\u00f3n del talento. Estrategias para la promoci\u00f3n y difusi\u00f3n de artistas emergentes en Andaluc\u00eda (Espa\u00f1a) y otros contextos iberoamericanos<\/em><\/a>. Vol. VII. Sevilla, Enredars\/Universidad Pablo de Olavide, 2021. ISBN: 978-84-09-27912-8.<\/p>\n<h4 class=\"artifact-title\">\u00a0<\/h4>\n<!-- \/wp:paragraph --><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Detalles del libro Coordinadoras: Bel\u00e9n Mazuecos S\u00e1nchez y Mar\u00eda Jes\u00fas Cano Mart\u00ednez Editoriales: Enredars Publicaciones 7.\u00ba volumen de la colecci\u00f3n[&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/1897"}],"collection":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1897"}],"version-history":[{"count":9,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/1897\/revisions"}],"predecessor-version":[{"id":2716,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/1897\/revisions\/2716"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}