{"id":2156,"date":"2022-03-03T18:39:09","date_gmt":"2022-03-03T17:39:09","guid":{"rendered":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=2156"},"modified":"2023-12-30T11:59:28","modified_gmt":"2023-12-30T10:59:28","slug":"barroco-em-movimento-portugal-e-brasil-e-a-construcao-de-um-novo-olhar","status":"publish","type":"page","link":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=2156","title":{"rendered":"Barroco em movimento Portugal e Brasil e a constru\u00e7\u00e3o de um novo olhar"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"2156\" class=\"elementor elementor-2156\" data-elementor-settings=\"[]\">\n\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-element elementor-element-c7c5051 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"c7c5051\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-afbd0c1 elementor-column elementor-col-100 elementor-top-column\" data-id=\"afbd0c1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e7a96b1 elementor-widget elementor-widget-spacer\" data-id=\"e7a96b1\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-99a7dda elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"99a7dda\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9f88ddc elementor-column elementor-col-50 elementor-top-column\" data-id=\"9f88ddc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4ad20b8 elementor-widget elementor-widget-image\" data-id=\"4ad20b8\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/rio.upo.es\/xmlui\/handle\/10433\/12224\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"212\" height=\"300\" src=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/03\/BARROCO_MOVIMIENTO_portada-212x300.jpg\" class=\"elementor-animation-bounce-in attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/03\/BARROCO_MOVIMIENTO_portada-212x300.jpg 212w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/03\/BARROCO_MOVIMIENTO_portada-725x1024.jpg 725w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/03\/BARROCO_MOVIMIENTO_portada-768x1084.jpg 768w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/03\/BARROCO_MOVIMIENTO_portada-1088x1536.jpg 1088w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/03\/BARROCO_MOVIMIENTO_portada-1451x2048.jpg 1451w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/03\/BARROCO_MOVIMIENTO_portada-scaled.jpg 1813w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-13adc62 elementor-column elementor-col-50 elementor-top-column\" data-id=\"13adc62\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1b46fb2 elementor-widget elementor-widget-text-editor\" data-id=\"1b46fb2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p>Detalles del libro<\/p><ul><li>Editoras: S\u00edlvia Ferreira e Patr\u00edcia Urias<\/li><li>Editorial: Enredars Publicaciones<\/li><li>19.\u00ba volumen de la colecci\u00f3n Universo Barroco Iberoamericano<\/li><li>ISBN: 978-84-09-38875-2<\/li><li>A\u00f1o de publicaci\u00f3n: 2022<\/li><li>N\u00famero de p\u00e1ginas: 344<br \/><h3 style=\"text-align: center;\"><a href=\"http:\/\/hdl.handle.net\/10433\/12224\"><strong>Acceder ahora al libro<\/strong><\/a><\/h3><h3 style=\"text-align: center;\">\u00a0<\/h3><\/li><\/ul><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-ae04eca elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"ae04eca\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-711c4d8 elementor-column elementor-col-100 elementor-top-column\" data-id=\"711c4d8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-358f1bd elementor-widget elementor-widget-spacer\" data-id=\"358f1bd\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-2802c4d elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"2802c4d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7f3b5cc elementor-column elementor-col-100 elementor-top-column\" data-id=\"7f3b5cc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5d1fc21 elementor-widget elementor-widget-text-editor\" data-id=\"5d1fc21\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p><a href=\"http:\/\/hdl.handle.net\/10433\/12540\">Barroco em Movimento. Portugal e Brasil e a Constru\u00e7\u00e3o de um novo olhar. Presentaci\u00f3n<\/a>. Ferreira, S\u00edlvia e\u00a0Urias, Patr\u00edcia\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12524\">Os ret\u00e1bulos no mundo portugu\u00eas: debate terminol\u00f3gico, historiogr\u00e1fico e documental<\/a>. Fernandes Bohrer, Alex\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12541\">Breve panorama da historiografia do azulejo em Portugal e no Brasil no S\u00e9culo XX<\/a>. Mangucci, Celso e\u00a0Trindade Gago da C\u00e2mara, M\u00aa. Alexandra\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12525\">O jardim do Pal\u00e1cio de Friburgo no Recife: uma ponte entre a Europa e o Brasil<\/a>. Duarte Rodrigues, Ana,\u00a0Marques, Clara e Monteiro, Patr\u00edcia\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12526\">Do barroco ao neoclassicismo: um olhar sobre a arte colonial luso-brasileira a partir da igreja da Ordem Terceira de S\u00e3o Francisco da Penit\u00eancia de Florian\u00f3polis-SC<\/a>\u00a0. Teixeira dos Santos, Fabiano\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12527\">Oficinas itinerantes, entalhadores n\u00f4mades: Guardiano das Chagas, um entalhador carioca na Capitania de S\u00e3o Paulo<\/a>. Gayean, Thales e\u00a0Rosada, Mateus\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12528\">O altar de prata do convento da Encarna\u00e7\u00e3o em Lisboa<\/a>. Mendon\u00e7a, Isabel\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12529\">Sacri-monti: representa\u00e7\u00f5es do Calv\u00e1rio nos montes de Varallo, Braga e Congonhas<\/a>. Roque, Maria Isabel\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12530\">Artefactos e artistas em movimento no espa\u00e7o ibero-atl\u00e2ntico no per\u00edodo barroco: uma hist\u00f3ria global polic\u00eantrica<\/a>. Goul\u00e3o, Maria Jos\u00e9\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12531\">Caetano Luiz de Miranda e Andrea Pozzo: circula\u00e7\u00e3o de modelos e ideias no Arraial do Tijuco<\/a>. Almeida Orlando Magnani, Maria Cl\u00e1udia e\u00a0Alves Silva, Mateus\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12532\">Do risco \u00e0 obra: instrumentos de desenho e m\u00e1quinas na arquitetura barroca<\/a>. Souza Rocha, Ricardo de\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12533\">Do poder e da arte: o pal\u00e1cio dos Castilho e T\u00e1vora em terras de Ribac\u00f4a<\/a>. Castilho de Luna, Rui de\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/12534\">Sacr\u00e1rios esf\u00e9ricos entre Lisboa e Minas Gerais: uma abordagem iconogr\u00e1fica e estil\u00edstica<\/a>. Ferreira, S\u00edlvia e\u00a0Oliveira Pedrosa, Aziz Jos\u00e9 de\u00a0(Publicaciones Enredars,\u00a02022)<\/p><p>Ferreira, S\u00edlvia; Urias, Patr\u00edcia (eds.). <a href=\"http:\/\/hdl.handle.net\/10433\/12224\"><em>Barroco em movimento Portugal e Brasil e a constru\u00e7\u00e3o de um novo olhar<\/em><\/a>. Vol. XIX, Sevilla, Enredars, Universidad Pablo de Olavide, 2022. ISBN: 978-84-09-38875-2.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Detalles del libro Editoras: S\u00edlvia Ferreira e Patr\u00edcia Urias Editorial: Enredars Publicaciones 19.\u00ba volumen de la colecci\u00f3n Universo Barroco Iberoamericano[&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2156"}],"collection":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2156"}],"version-history":[{"count":5,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2156\/revisions"}],"predecessor-version":[{"id":2642,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2156\/revisions\/2642"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}