{"id":2252,"date":"2022-05-18T12:28:51","date_gmt":"2022-05-18T11:28:51","guid":{"rendered":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=2252"},"modified":"2023-12-30T11:51:17","modified_gmt":"2023-12-30T10:51:17","slug":"catedrales-mundo-iberoamericano-siglos-xvii-xviii-vol-2","status":"publish","type":"page","link":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=2252","title":{"rendered":"Catedrales. Mundo iberoamericano. Siglos XVII-XVIII. Vol. 2"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"2252\" class=\"elementor elementor-2252\" data-elementor-settings=\"[]\">\n\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-element elementor-element-6f89a9c elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"6f89a9c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f99ebd5 elementor-column elementor-col-100 elementor-top-column\" data-id=\"f99ebd5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c8f6bf elementor-widget elementor-widget-spacer\" data-id=\"6c8f6bf\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-d8ee249 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"d8ee249\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3d2bc71 elementor-column elementor-col-50 elementor-top-column\" data-id=\"3d2bc71\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-0787bdd elementor-widget elementor-widget-image\" data-id=\"0787bdd\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/rio.upo.es\/xmlui\/handle\/10433\/12786\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"213\" height=\"300\" src=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/05\/Portada-catedrales-vol.-2-213x300.jpg\" class=\"elementor-animation-bounce-in attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/05\/Portada-catedrales-vol.-2-213x300.jpg 213w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/05\/Portada-catedrales-vol.-2-728x1024.jpg 728w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/05\/Portada-catedrales-vol.-2-768x1081.jpg 768w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/05\/Portada-catedrales-vol.-2-1091x1536.jpg 1091w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2022\/05\/Portada-catedrales-vol.-2.jpg 1343w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d1509a6 elementor-column elementor-col-50 elementor-top-column\" data-id=\"d1509a6\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a2e2d3d elementor-widget elementor-widget-text-editor\" data-id=\"a2e2d3d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p>Detalles del libro<\/p><ul><li>Editores: Laura Illescas, Juan Manuel Monterroso, Ren\u00e9 Jes\u00fas Payo y Fernando Quiles<\/li><li>Editorial: Enredars Publicaciones y Andavira Editora<\/li><li>21.\u00ba volumen de la colecci\u00f3n Universo Barroco Iberoamericano<\/li><li>ISBN: 978-84-125553-1-8<\/li><li>A\u00f1o de publicaci\u00f3n: 2022<\/li><li>N\u00famero de p\u00e1ginas: 424<br \/><h3 style=\"text-align: center;\"><a href=\"http:\/\/hdl.handle.net\/10433\/12786\"><strong>Acceder ahora al libro<\/strong><\/a><\/h3><\/li><\/ul><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-e95054e elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"e95054e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c3874f1 elementor-column elementor-col-100 elementor-top-column\" data-id=\"c3874f1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-35978e3 elementor-widget elementor-widget-spacer\" data-id=\"35978e3\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-d4ee2c4 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"d4ee2c4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-74c57d2 elementor-column elementor-col-100 elementor-top-column\" data-id=\"74c57d2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-dcc9cef elementor-widget elementor-widget-text-editor\" data-id=\"dcc9cef\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p><a href=\"http:\/\/hdl.handle.net\/10433\/13240\">Diego Ib\u00e1\u00f1ez Pacheco y el claustro de la catedral de Mondo\u00f1edo (1636-1640)<\/a>. G\u00f3mez Darriba, Javier (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13221\">Expresiones del Barroco en la catedral de Toledo: vestigios y presencia de un arte censurado<\/a>. D\u00edaz Fern\u00e1ndez, Antonio Jos\u00e9 (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13241\">Aportaciones para el estudio de los retablos barrocos de la catedral de Valladolid<\/a>. Baladr\u00f3n Alonso, Javier (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13222\">\u201cTiene la hermosura y adorno necesarios\u201d: Los retablos mayores de la catedral de M\u00e9rida en Yucat\u00e1n durante el virreinato<\/a>. Pascacio Guill\u00e9n, Bertha (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13223\">Las cajas barrocas de los \u00f3rganos de la catedral de Tui<\/a>. Novo S\u00e1nchez, Francisco Javier (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13242\"><em>El mayor, mejor y m\u00e1s perfecto \u00f3rgano de todo el reino&#8230;<\/em> Los \u00f3rganos de Joseph Nassarre en las catedrales de Guadalajara, Valladolid y Ciudad de M\u00e9xico, 1727-1737<\/a>. Dur\u00e1n Moncada, Crist\u00f3bal (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13243\">Iconograf\u00eda franciscana en la pintura de la catedral de M\u00e1laga<\/a>. Ram\u00edrez Gonz\u00e1lez, Sergio (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13224\"><em>Corona del cielo emp\u00edreo<\/em>. La c\u00fapula de la catedral de Salamanca y su programa iconogr\u00e1fico<\/a>. Casas Hern\u00e1ndez, Mariano (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13244\">La terminaci\u00f3n del gran proyecto de la urna de San Fernando: el frontal de altar de Jos\u00e9 de Villaviciosa, platero de la Capilla Real de la catedral de Sevilla<\/a>. Santos M\u00e1rquez, Antonio Joaqu\u00edn (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13245\">El ciclo de azulejos con motivos mitol\u00f3gicos en la antigua Capilla de la Inmaculada Concepci\u00f3n de la Catedral de Lima<\/a>. Lozano-V\u00e1squez, Andrea y Zalamea, Patricia (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13246\">La arquitectura de la catedral de Vic como ep\u00edgono del <em>artesanato<\/em> barroco en Catalu\u00f1a: notas sobre su inspiraci\u00f3n leridana<\/a>. Gargant\u00e9 Llanes, Mar\u00eda (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13225\">La catedral en las fiestas de culto a los cuerpos santos (de Zamora)<\/a>. Mu\u00f1oz G\u00f3mez, Elena (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13247\">El obispo Jos\u00e9 Escalzo y las obras de la Catedral Nueva de C\u00e1diz. \u00bfUn gusto ilustrado?<\/a> Maura Alarc\u00f3n, Carlos (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/13226\">La Iglesia de la Compa\u00f1\u00eda de Jes\u00fas, principal icono barroco del Ecuador<\/a>. Pati\u00f1o Chimborazo, Jefferson Santiago, Miranda Gaibor, Christian, Ben\u00edtez Tuarez, Vanessa y Luna Navarrete, Andrea Salom\u00e9 (Publicaciones Enredars \/ Andavira Editora, 2022)<\/p><p>Illescas, Laura; Monterroso, Juan Manuel; Payo, Ren\u00e9 Jes\u00fas; Quiles, Fernando (eds). <em><a href=\"http:\/\/hdl.handle.net\/10433\/12786\">Catedrales. Mundo iberoamericano. Siglos XVII-XVIII<\/a><\/em>. Vol. II. Santiago de Compostela, Andavira Editora, Sevilla, Enredars\/Universidad Pablo de Olavide, 2022. ISBN: 978-84-125553-1-8<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Detalles del libro Editores: Laura Illescas, Juan Manuel Monterroso, Ren\u00e9 Jes\u00fas Payo y Fernando Quiles Editorial: Enredars Publicaciones y Andavira[&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2252"}],"collection":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2252"}],"version-history":[{"count":4,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2252\/revisions"}],"predecessor-version":[{"id":2638,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2252\/revisions\/2638"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}