{"id":2361,"date":"2023-01-30T08:53:43","date_gmt":"2023-01-30T07:53:43","guid":{"rendered":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=2361"},"modified":"2023-12-30T10:33:50","modified_gmt":"2023-12-30T09:33:50","slug":"en-las-sombras-del-barroco-una-mirada-introspectiva","status":"publish","type":"page","link":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=2361","title":{"rendered":"En las sombras del Barroco. Una mirada introspectiva"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"2361\" class=\"elementor elementor-2361\" data-elementor-settings=\"[]\">\n\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-element elementor-element-d5bf671 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"d5bf671\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7b585d4 elementor-column elementor-col-100 elementor-top-column\" data-id=\"7b585d4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-723ee5b elementor-widget elementor-widget-spacer\" data-id=\"723ee5b\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-df8bf3a elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"df8bf3a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-72d547b elementor-column elementor-col-50 elementor-top-column\" data-id=\"72d547b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-748e298 elementor-widget elementor-widget-image\" data-id=\"748e298\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/rio.upo.es\/xmlui\/handle\/10433\/15610\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"212\" height=\"300\" src=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2023\/01\/En-las-sombras_portada-212x300.jpg\" class=\"elementor-animation-bounce-in attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2023\/01\/En-las-sombras_portada-212x300.jpg 212w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2023\/01\/En-las-sombras_portada-724x1024.jpg 724w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2023\/01\/En-las-sombras_portada-768x1086.jpg 768w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2023\/01\/En-las-sombras_portada.jpg 794w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c6806ad elementor-column elementor-col-50 elementor-top-column\" data-id=\"c6806ad\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b15ddb2 elementor-widget elementor-widget-text-editor\" data-id=\"b15ddb2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p>Detalles del libro<\/p><ul><li>Editores: Adri\u00e1n Contreras-Guerrero, \u00c1ngel Justo-Estebaranz y Fernando Quiles<\/li><li>Editorial: Enredars Publicaciones y Andavira Editora<\/li><li>26.\u00ba volumen de la colecci\u00f3n Universo Barroco Iberoamericano<\/li><li>ISBN: 978-84-126450-4-0<\/li><li>A\u00f1o de publicaci\u00f3n: 2023<\/li><li>N\u00famero de p\u00e1ginas: 422<br \/><h3 style=\"text-align: center;\"><a href=\"http:\/\/hdl.handle.net\/10433\/15610\"><strong>Acceder ahora al libro<\/strong><\/a><\/h3><\/li><\/ul><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-4f91018 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"4f91018\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1065f5d elementor-column elementor-col-100 elementor-top-column\" data-id=\"1065f5d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c843ff2 elementor-widget elementor-widget-spacer\" data-id=\"c843ff2\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-67f4d97 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"67f4d97\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-35fa953 elementor-column elementor-col-100 elementor-top-column\" data-id=\"35fa953\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-42ae556 elementor-widget elementor-widget-text-editor\" data-id=\"42ae556\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p><a href=\"http:\/\/hdl.handle.net\/10433\/15612\">Entre el retrato y la imagen sagrada: el caso de Eugenia de la Torre<\/a>. Jasienski, Adam\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15613\">Sudor, llanto y malos augurios: el cuadro de San Francisco de Borja de Chitagoto (Nueva Granada)<\/a>. Villalobos A., Mar\u00eda Constanza;\u00a0Contreras-Guerrero, Adri\u00e1n\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15614\">El arquitecto novohispano Francisco Antonio Guerrero y Torres entre la brujer\u00eda y la hechicer\u00eda durante la segunda mitad del siglo XVIII<\/a>. Mej\u00eda Ortiz, \u00c9dgar Antonio\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15615\">Entre la fe cristiana, el arte ilustrado y la cultura mas\u00f3nica. El palacio del marqu\u00e9s de Jaral de Berrio en la Ciudad de M\u00e9xico<\/a>. Fern\u00e1ndez, Martha\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15616\">Ellas tambi\u00e9n fueron artistas. Mujeres pintoras de los siglos XVII y XVIII en Granada<\/a>. G\u00f3mez Rom\u00e1n, Ana Mar\u00eda\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15617\">En esos oscuros cajones&#8230; Remesas de bienes art\u00edsticos y suntuarios de procedencia americana<\/a>. Quiles, Fernando\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15618\">All\u2019ombra dell\u2019Apocalisse: Jean Fran\u00e7ois Niceron e l\u2019anamorfosi di San Giovanni Evangelista<\/a>. De Rosa, Agostino\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15621\">Meraviglie astronomiche in architettura. Riflessi del tempo nelle opere di Emmanuel Maignan<\/a>. Bortot, Alessio\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15619\">Morir y dejar huella. El valor de la semejanza sagrada a trav\u00e9s de las m\u00e1scaras mortuorias (siglos XV-XVII)<\/a>. L\u00f3pez de Munain, Gorka\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15620\">De la invisibilidad racial, a lo sublime de la eternidad<\/a>. Sosa, Emilce N.\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15622\">La clave est\u00e1 en el herrero: artesanado local y robos de obras de arte y de \u00fatiles de trabajo en Quito durante los siglos XVII y XVIII<\/a>. Justo-Estebaranz, \u00c1ngel\u00a0(Publicaci\u00f3n Enredars\/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15623\">Pesadillas neobarrocas en cine cl\u00e1sico: <em>El reinado del terror<\/em> (1949) y <em>Cagliostro<\/em> (1949). Imaginarios de la Revoluci\u00f3n francesa al inicio de la Guerra Fr\u00eda<\/a>. M\u00ednguez, V\u00edctor;\u00a0Sorolla Romero, Teresa\u00a0(Publicaciones Enredars &#8211; Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15625\">Arte e Inquisici\u00f3n: c\u00f3mo el Tribunal no solo censuraba las im\u00e1genes sino que las utilizaba para sus fines de un modo innovador<\/a>. Scholz-H\u00e4nzel, Michael\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15624\">Juan de Palafox y Mendoza y su Puebla de los \u00c1ngeles. Apogeo y derrota de una ambici\u00f3n<\/a>. Garc\u00eda Escudero, Mar\u00eda del Carmen\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/15626\">La leyenda de la Santa Barbuda en el Reino de Bohemia<\/a>. \u0160t\u011bp\u00e1nek, Pavel\u00a0(Publicaciones Enredars \/ Andavira Editora,\u00a02023)<\/p><p>Contreras-Guerrero, Adri\u00e1n; Justo-Estebaranz, \u00c1ngel; Quiles, Fernando (eds.). <em><a href=\"http:\/\/hdl.handle.net\/10433\/15610\">En las sombras del Barroco. Una mirada introspectiva<\/a><\/em>. Vol. XXVI. Santiago de Compostela, Andavira Editora, Sevilla, Enredars\/Universidad Pablo de Olavide, 2023. ISBN: 978-84-126450-4-0.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Detalles del libro Editores: Adri\u00e1n Contreras-Guerrero, \u00c1ngel Justo-Estebaranz y Fernando Quiles Editorial: Enredars Publicaciones y Andavira Editora 26.\u00ba volumen de[&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2361"}],"collection":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2361"}],"version-history":[{"count":5,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2361\/revisions"}],"predecessor-version":[{"id":2631,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2361\/revisions\/2631"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}