{"id":2537,"date":"2023-10-25T08:42:25","date_gmt":"2023-10-25T07:42:25","guid":{"rendered":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=2537"},"modified":"2023-12-30T14:14:55","modified_gmt":"2023-12-30T13:14:55","slug":"iconografias-tejidos-y-procesos-entre-el-diseno-y-la-arqueologia-de-america","status":"publish","type":"page","link":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=2537","title":{"rendered":"Iconograf\u00edas, tejidos y procesos: entre el dise\u00f1o y la arqueolog\u00eda de Am\u00e9rica"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"2537\" class=\"elementor elementor-2537\" data-elementor-settings=\"[]\">\n\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-element elementor-element-3868df1 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"3868df1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7ed863e elementor-column elementor-col-100 elementor-top-column\" data-id=\"7ed863e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6d183c5 elementor-widget elementor-widget-spacer\" data-id=\"6d183c5\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-1abb501 elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"1abb501\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3438bc8 elementor-column elementor-col-50 elementor-top-column\" data-id=\"3438bc8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c95c5ae elementor-widget elementor-widget-image\" data-id=\"c95c5ae\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/rio.upo.es\/xmlui\/handle\/10433\/16617\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"213\" height=\"300\" src=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2023\/10\/Iconograf\u00edas-tejidos_portada-1-213x300.jpg\" class=\"elementor-animation-bounce-in attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2023\/10\/Iconograf\u00edas-tejidos_portada-1-213x300.jpg 213w, https:\/\/www.upo.es\/investiga\/enredars\/wp-content\/uploads\/2023\/10\/Iconograf\u00edas-tejidos_portada-1.jpg 426w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8ada774 elementor-column elementor-col-50 elementor-top-column\" data-id=\"8ada774\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3107b01 elementor-widget elementor-widget-text-editor\" data-id=\"3107b01\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p>Detalles del libro<\/p><ul><li>Editores: Henry O. Vargas Benavides y Fernando Camacho Mora<\/li><li>Editoriales: Roma TrE-Press y Enredars Publicaciones<\/li><li>6.\u00ba volumen de la colecci\u00f3n Culturas Originarias<\/li><li>ISBN: 978-84-09-54872-9<\/li><li>A\u00f1o de publicaci\u00f3n: 2023<\/li><li>N\u00famero de p\u00e1ginas: 328<br \/><h3 style=\"text-align: center;\"><a href=\"http:\/\/hdl.handle.net\/10433\/16617\"><strong>Acceder ahora al libro<\/strong><\/a><\/h3><\/li><\/ul><h3 style=\"text-align: center;\"><strong>Tambi\u00e9n disponible en\u00a0<a href=\"https:\/\/romatrepress.uniroma3.it\/libro\/iconografias-tejidos-y-procesos-entre-el-diseno-y-la-arqueologia-de-america\/\">Roma TrE-Pres<\/a><\/strong><\/h3><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-ab8ad5c elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"ab8ad5c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e5b2cab elementor-column elementor-col-100 elementor-top-column\" data-id=\"e5b2cab\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e159d55 elementor-widget elementor-widget-spacer\" data-id=\"e159d55\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-element elementor-element-da9433b elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"da9433b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5c3ef2c elementor-column elementor-col-100 elementor-top-column\" data-id=\"5c3ef2c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6d7037d elementor-widget elementor-widget-text-editor\" data-id=\"6d7037d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p><a href=\"http:\/\/hdl.handle.net\/10433\/16657\">Esbozos para interpretar\u00a0los c\u00f3digos simb\u00f3licos prehisp\u00e1nicos americanos<\/a>. Fiadone, Alejandro Eduardo\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16658\">La gesta de las fauces. Ejemplo de evoluci\u00f3n y transformaci\u00f3n morfol\u00f3gica de un s\u00edmbolo<\/a>. Fiadone, Alejandro Eduardo\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16659\">Sexualidad ancestral: representaciones en la Costa Rica precolombina<\/a>. Ruiz Torres, Cleria;\u00a0Fallas Fallas, Javier\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16660\">Una nueva lectura del lenguaje figurativo en el periodo formativo andino: la codificaci\u00f3n de las l\u00edneas y la manifestaci\u00f3n del n\u00famero en cuatro composiciones<\/a>. Lazo, Roxana\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16661\">Estudios de los sitios Aurora y Chag\u00fcite en el intermontano central de Costa Rica: dise\u00f1o e iconograf\u00eda en artefactos prehisp\u00e1nicos<\/a>. Vargas Benavides, Henry;\u00a0Camacho Mora, Fernando\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16662\">Im\u00e1genes de la infancia en el \u00e1rea maya precolombina: breve estudio sobre el infante del cuarto 3 de Bonampak<\/a>. Nicol\u00e1s Pav\u00eda, M\u00f3nica Alejandra\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16663\">Influencia precolombina en cer\u00e1mica del per\u00edodo colonial. Nicoya, Costa Rica<\/a>. Camacho Mora, Fernando\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16664\">Mapa tejido. An\u00e1lisis cartogr\u00e1fico de un huipil ceremonial tzotzil<\/a>. Estrada Zaraz\u00faa, Anabell\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16665\">Ya khoti \u00f1\u00e4tho. Las labores bordadas otom\u00edes de San Felipe de los Alzati, Michoac\u00e1n \u00bfobjeto de arte o artesan\u00eda?<\/a> Islas Flores, Bianca Paola;\u00a0S\u00e1nchez Bar\u00f3n, Yaret Ver\u00f3nica\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16666\">La ense\u00f1anza del arte precolombino desde la historia del arte<\/a>. Lerma Rodr\u00edguez, F\u00e9lix Alejandro\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16667\">Artesan\u00edas en los pueblos ind\u00edgenas actuales de Costa Rica: transformaciones y desaf\u00edos<\/a>. L\u00f3pez Oviedo, Claudia;\u00a0Arias Fonseca, Priscilla\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16668\">Expresi\u00f3n visual de un legado cultural en cuatro escultores costarricenses: Badilla, Sancho, Villegas y Zeled\u00f3n<\/a>. Solano Brizuela, Ericka\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16669\">Elementos precolombinos en el dise\u00f1o de los billetes costarricenses 2009-2021: ideolog\u00eda y colonialidad<\/a>. Andrade Cambronero, Grettel\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p><a href=\"http:\/\/hdl.handle.net\/10433\/16670\">Mesoam\u00e9rica Tierra Encendida. Escribir para una memoria<\/a>. Quir\u00f3s, Luis Fernando\u00a0(Publicaciones Enredars \/ Roma Tre Press,\u00a02023)<\/p><p>Vargas Benavides, Henry O.;\u00a0Camacho Mora, Fernando (eds.). <em><a href=\"http:\/\/hdl.handle.net\/10433\/16671\">Iconograf\u00edas, tejidos y procesos: entre el dise\u00f1o y la arqueolog\u00eda de Am\u00e9rica<\/a><\/em>. Vol. VI. Sevilla, Enredars\/Universidad Pablo de Olavide, Roma, Roma TrE-Press\/Universit\u00e0 degli studi Roma Tre, 2023. ISBN: 978-84-09-54872-9.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Detalles del libro Editores: Henry O. Vargas Benavides y Fernando Camacho Mora Editoriales: Roma TrE-Press y Enredars Publicaciones 6.\u00ba volumen[&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2537"}],"collection":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2537"}],"version-history":[{"count":5,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2537\/revisions"}],"predecessor-version":[{"id":2682,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/2537\/revisions\/2682"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}