{"id":744,"date":"2018-11-30T09:37:31","date_gmt":"2018-11-30T09:37:31","guid":{"rendered":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=744"},"modified":"2024-11-26T13:26:04","modified_gmt":"2024-11-26T12:26:04","slug":"recensiones","status":"publish","type":"page","link":"https:\/\/www.upo.es\/investiga\/enredars\/?page_id=744","title":{"rendered":"Recensiones"},"content":{"rendered":"\n

– 2024. Manuel Carbajosa Aguilera. D\u00cdAZ MATTEI, Andrea; OLLERO LOBATO, Francisco; QUILES GARC\u00cdA, Fernando, Alarifes Ruiz Florindo. Arquitectura barroca desde Fuentes de Andaluc\u00eda. Sevilla: Diputaci\u00f3n de Sevilla-Universidad Pablo de Olavide, 2023.<\/a><\/p>\n\n\n\n

– 2023. Adri\u00e1n Hern\u00e1ndez D\u00edaz. ALMANSA MORENO, Jos\u00e9 Manuel. Pintura mural en el Nuevo Reino de Granada. Sevilla, EnRedArs, 2021.<\/a><\/p>\n\n\n\n

– 2022. Rafael Mantas Fern\u00e1ndez. ALMANSA MORENO, Jos\u00e9 Manuel, MART\u00cdNEZ JIM\u00c9NEZ, Nuria y QUILES GARC\u00cdA, Fernando (eds.). Pintura mural en la Edad Moderna entre Andaluc\u00eda e Iberoam\u00e9rica. Sevilla, EnRedArs, 2018.<\/a><\/p>\n\n\n\n

– 2021. Ana P\u00e9rez Varela. FERN\u00c1NDEZ VALLE, Mar\u00eda de los \u00c1ngeles, L\u00d3PEZ CALDER\u00d3N, Carme y RODR\u00cdGUEZ MOYA, Inmaculada (eds.). Espacios y muros del barroco iberoamericano; Pinceles y gubias del barroco iberoamericano; Discursos e im\u00e1genes del barroco iberoamericano; y Fastos y ceremonias del barroco iberoamericano<\/em>. Sevilla, Enredars y Santiago de Compostela, Andavira, Colecci\u00f3n Universo Barroco Iberoamericano, 2019.<\/a><\/p>\n\n\n\n

– 2020. Andrea D\u00edaz Mattei. D\u00cdAZ MATTEI, A. (ed.), La negritud y su po\u00e9tica. Pr\u00e1cticas art\u00edsticas y miradas cr\u00edticas contempor\u00e1neas en Latinoam\u00e9rica y Espa\u00f1a<\/em>, Montevideo, BMR Cultural \u2013 Sevilla, Publicaciones Enredars, 2019<\/a>.<\/p>\n\n\n\n

– 2019. Carlos Piccone Camere. QUILES GARC\u00cdA, F. Santidad Barroca. Roma, Sevilla y Am\u00e9rica Hispana Sevilla<\/em>, Espa\u00f1a: E. R. A. Arte, Creaci\u00f3n y Patrimonio Iberoamericano en Redes, Universidad Pablo de Olavide, 2018.<\/a><\/p>\n\n\n\n

– 2019. Edgar Antonio Mej\u00eda Ortiz. QUILES GARC\u00cdA, F. Santidad Barroca. Roma, Sevilla y Am\u00e9rica Hispana Sevilla<\/em>, Espa\u00f1a: E. R. A. Arte, Creaci\u00f3n y Patrimonio Iberoamericano en Redes, Universidad Pablo de Olavide, 2018. <\/a><\/p>\n\n\n\n

– 2015. Josefina Molina Tapia. QUILES GARC\u00cdA, F. (ed.) Territorios, paisajes y arquitectura vern\u00e1cula: patrimonios diversos de la Provincia de Sevilla<\/em>. Col. Red AVI, Arquitectura Vern\u00e1cula Iberoamericana, 2013.<\/a><\/p>\n\n\n\n

– 2014. Rodolfo Rotondaro. Anales del IAA, vol. 44, n\u00ba 1. <\/i>Herencias y valores de la arquitectura vern\u00e1cula en Iberoam\u00e9rica: \u201cArquitectura vern\u00e1cula Iberoamericana\u201d de F. Quiles Garc\u00eda y M. Cu\u00e9llar S\u00e1nchez<\/a>.<\/p>\n\n\n\n

– 2014. Teresa Ll\u00e0cer Viel. (Universitat Jaume I de Castell\u00f2): Colecci\u00f3n RedAVI. Vi\u00f1uales, Graciela M.; Quiles, Fernando (eds.), Vols. I-IV, Sevilla.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

– 2024. Manuel Carbajosa Aguilera. D\u00cdAZ MATTEI, Andrea; OLLERO LOBATO, Francisco; QUILES GARC\u00cdA, Fernando, Alarifes Ruiz Florindo. Arquitectura barroca desde[…]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":710,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/744"}],"collection":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=744"}],"version-history":[{"count":18,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/744\/revisions"}],"predecessor-version":[{"id":2940,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/744\/revisions\/2940"}],"up":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=\/wp\/v2\/pages\/710"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/investiga\/enredars\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}