{"id":727,"date":"2022-01-23T17:05:31","date_gmt":"2022-01-23T17:05:31","guid":{"rendered":"https:\/\/www.upo.es\/investiga\/processionsandempire\/?p=727"},"modified":"2022-02-01T15:37:23","modified_gmt":"2022-02-01T15:37:23","slug":"callirhoes-funeral-pompe","status":"publish","type":"post","link":"https:\/\/www.upo.es\/investiga\/processionsandempire\/callirhoes-funeral-pompe\/","title":{"rendered":"Callirhoe\u2019s funeral pompe"},"content":{"rendered":"\n

Callirhoe\u2019s funeral pompe<\/h1>\n\n\n\n
TITLE:<\/strong> <\/td><\/tr>
Callirhoe\u2019s funeral pompe<\/em><\/td><\/tr>
DATE:<\/strong><\/td><\/tr>
Fiction, novel (written in mid. 1st<\/sup> c. AD)<\/td><\/tr>
TEXT:<\/strong><\/td><\/tr>
HERCHER, R. (1859): Chariton.<\/em> Chaereas and Callirhoe <\/em>6.1.1-3: Chariton, De Chaerea et Callirhoe<\/em><\/a><\/td><\/tr>
EDITIONS<\/strong>\/TRANSLATIONS:<\/strong><\/td><\/tr>

GOOLD, G. P. (1995): Chariton: Callirhoe<\/em>. Loeb Classical Library. Harvard University Press, Cambridge

MENDOZA, J. (1979): Carit\u00f3n de Afrodisias \/ Jenofonte de \u00c9feso. Qu\u00e9reas y Cal\u00edrroe\/ Efesiacas. Fragmentos novelescos. <\/em>Gredos. Madrid 

TRZASKOMA, S. M. (2010): Two Novels from Ancient Greece: Chariton’s Callirhoe and Xenophon of Ephesos’ An Ephesian Story<\/em>. Hackett Publishing Company, Indianapolis \/ Cambridge
<\/td><\/tr>
KEYWORDS:<\/strong><\/td><\/tr>
Word used to mean procession<\/strong>:<\/td><\/tr>
\u1f10\u03ba\u03ba\u03bf\u03bc\u03b9\u03b4\u03ae\u03bd (\u201ca carrying out of a corpse \/ burial\u201d, Chariton Chaereas and Callirhoe <\/em>6.1.1, \u03c4\u1f74\u03bd \u1f10\u03ba\u03ba\u03bf\u03bc\u03b9\u03b4\u1f74\u03bd \u03ba\u03b1\u03c4\u03b1\u03c3\u03ba\u03b5\u03c5\u03ac\u03c3\u03b1\u03b9 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b9\u03ba\u03ae\u03bd; 6.1.2, \u03a4\u03af\u03c2 \u1f02\u03bd \u03bf\u1f56\u03bd \u1f00\u03c0\u03b1\u03b3\u03b3\u03b5\u1fd6\u03bb\u03b1\u03b9 \u03b4\u03cd\u03bd\u03b1\u03b9\u03c4\u03bf \u03ba\u03b1\u03c4\u0313 \u1f00\u03be\u03af\u03b1\u03bd \u03c4\u1f74\u03bd \u1f10\u03ba\u03ba\u03bf\u03bc\u03b9\u03b4\u1f74\u03bd \u1f10\u03ba\u03b5\u03af\u03bd\u03b7\u03bd;)
<\/td><\/tr>
Word used to mean the cult images:<\/strong><\/td><\/tr>
The burial wagon or couch (6.1.2,\u03ba\u03bb\u03af\u03bd\u03b7\u03c2; 6.1.5, \u1f1c\u03c6\u03b5\u03c1\u03bf\u03bd \u03b4\u1f72 \u03c4\u1f74\u03bd \u03ba\u03bb\u03af\u03bd\u03b7\u03bd \u03bf\u1f31 \u03a3\u03c5\u03c1\u03b1\u03ba\u03bf\u03c5\u03c3\u03af\u03c9\u03bd \u1f14\u03c6\u03b7\u03b2\u03bf\u03b9) 

The hoplites caried the standards of Hermocrates\u2019 trophies  (6.1.3,\u1f41\u03c0\u03bb\u1fd6\u03c4\u03b1\u03b9 \u03c6\u03ad\u03c1\u03bf\u03bd\u03c4\u03b5\u03c2 \u03c4\u1f70 \u03c3\u03b7\u03bc\u03b5\u1fd6\u03b1 \u03c4\u1ff6\u03bd \u1f19\u03c1\u03bc\u03bf\u03ba\u03c1\u03ac\u03c4\u03bf\u03c5\u03c2 \u03c4\u03c1\u03bf\u03c0\u03b1\u03af\u03c9\u03bd)<\/td><\/tr>
Gods or other entities named:<\/strong><\/td><\/tr>
<\/td><\/tr>
Description of the cult images:<\/strong><\/td><\/tr>
<\/td><\/tr>
Procession\u2019s route:<\/strong><\/td><\/tr>
From her house to the burial place out of town<\/td><\/tr>
Frequency with which the procession takes place:<\/strong><\/td><\/tr>
<\/td><\/tr>
Performers:<\/strong><\/td><\/tr>
The Syracusan army led the procession: first, the cavalry (\u1f31\u03c0\u03c0\u03b5\u1fd6\u03c2), followed by the hoplites (\u1f41\u03c0\u03bb\u1fd6\u03c4\u03b1\u03b9), the Council (\u03b2\u03bf\u03c5\u03bb\u03ae) and the citizens (\u03b4\u03ae\u03bc\u1ff3) in the middle, all of them escorting her father Hermocrates (6.1.3, \u03a0\u03c1\u03bf\u1fc4\u03b5\u03c3\u03b1\u03bd \u03b4\u1f72 \u03c4\u1fc6\u03c2 \u03ba\u03bb\u03af\u03bd\u03b7\u03c2 \u03c0\u03c1\u1ff6\u03c4\u03bf\u03b9 \u03bc\u1f72\u03bd \u03bf\u1f31 \u03a3\u03c5\u03c1\u03b1\u03ba\u03bf\u03c5\u03c3\u03af\u03c9\u03bd \u1f31\u03c0\u03c0\u03b5\u1fd6\u03c2 \u03b1\u1f50\u03c4\u03bf\u1fd6\u03c2 \u1f35\u03c0\u03c0\u03bf\u03b9\u03c2 \u03ba\u03b5\u03ba\u03bf\u03c3\u03bc\u03b7\u03bc\u03ad\u03bd\u03bf\u03b9, \u03bc\u03b5\u03c4\u1f70 \u03c4\u03bf\u03cd\u03c4\u03bf\u03c5\u03c2 \u1f41\u03c0\u03bb\u1fd6\u03c4\u03b1\u03b9 \u03c6\u03ad\u03c1\u03bf\u03bd\u03c4\u03b5\u03c2 \u03c4\u1f70 \u03c3\u03b7\u03bc\u03b5\u1fd6\u03b1 \u03c4\u1ff6\u03bd \u1f19\u03c1\u03bc\u03bf\u03ba\u03c1\u03ac\u03c4\u03bf\u03c5\u03c2 \u03c4\u03c1\u03bf\u03c0\u03b1\u03af\u03c9\u03bd, \u03b5\u1f36\u03c4\u03b1 \u1f21 \u03b2\u03bf\u03c5\u03bb\u03ae, \u03ba\u03b1\u1f76 \u1f10\u03bd \u03bc\u03ad\u03c3\u1ff3 \u03c4\u1ff7 \u03b4\u03ae\u03bc\u1ff3 \u03c0\u03ac\u03bd\u03c4\u03b5\u03c2 \u03bf\u1f31 \u1f19\u03c1\u03bc\u03bf\u03ba\u03c1\u03ac\u03c4\u03b7\u03bd \u03b4\u03bf\u03c1\u03c5\u03c6\u03bf\u03c1\u03bf\u1fe6\u03bd\u03c4\u03b5\u03c2)

This first group was followed by the women of the citizens dressed in black (6.1.3, \u03b1\u1f31 \u03b3\u03c5\u03bd\u03b1\u1fd6\u03ba\u03b5\u03c2 \u03c4\u1ff6\u03bd \u03c0\u03bf\u03bb\u03b9\u03c4\u1ff6\u03bd \u03bc\u03b5\u03bb\u03b1\u03bd\u03b5\u03af\u03bc\u03bf\u03bd\u03b5\u03c2) 

The burial couch was carried by the ephebes (6.1.5, \u1f1c\u03c6\u03b5\u03c1\u03bf\u03bd \u03b4\u1f72 \u03c4\u1f74\u03bd \u03ba\u03bb\u03af\u03bd\u03b7\u03bd \u03bf\u1f31 \u03a3\u03c5\u03c1\u03b1\u03ba\u03bf\u03c5\u03c3\u03af\u03c9\u03bd \u1f14\u03c6\u03b7\u03b2\u03bf\u03b9)
 <\/td><\/tr>
References to the public attending the procession:<\/strong><\/td><\/tr>
<\/td><\/tr>
Rites related to the procession:<\/strong><\/td><\/tr>
<\/td><\/tr>
Allusions to conduct or forms of reverence:<\/strong><\/td><\/tr>

The women of the citizens dressed in black (6.1.3, \u03b1\u1f31 \u03b3\u03c5\u03bd\u03b1\u1fd6\u03ba\u03b5\u03c2 \u03c4\u1ff6\u03bd \u03c0\u03bf\u03bb\u03b9\u03c4\u1ff6\u03bd \u03bc\u03b5\u03bb\u03b1\u03bd\u03b5\u03af\u03bc\u03bf\u03bd\u03b5\u03c2)
 
Everyone in the procession was mourning and crying out loudly, above all of the her husband Chaereas (6.1.5, \u03a0\u03ac\u03bd\u03c4\u03c9\u03bd \u03b4\u1f72 \u03b8\u03c1\u03b7\u03bd\u03bf\u03cd\u03bd\u03c4\u03c9\u03bd \u03bc\u03ac\u03bb\u03b9\u03c3\u03c4\u03b1 \u03a7\u03b1\u03b9\u03c1\u03ad\u03b1\u03c2 \u1f20\u03ba\u03bf\u03cd\u03b5\u03c4\u03bf)
<\/td><\/tr>
Other remarkable elements<\/strong>:<\/td><\/tr>
The corpse wore her wedding dress on a golden burial couch (6.1.2, \u039a\u03b1\u03c4\u03ad\u03ba\u03b5\u03b9\u03c4\u03bf \u03bc\u1f72\u03bd \u039a\u03b1\u03bb\u03bb\u03b9\u03c1\u03c1\u03cc\u03b7 \u03bd\u03c5\u03bc\u03c6\u03b9\u03ba\u1f74\u03bd \u1f10\u03c3\u03b8\u1fc6\u03c4\u03b1 \u03c0\u03b5\u03c1\u03b9\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03b7 \u03ba\u03b1\u1f76 \u1f10\u03c0\u1f76 \u03c7\u03c1\u03c5\u03c3\u03b7\u03bb\u03ac\u03c4\u03bf\u03c5 \u03ba\u03bb\u03af\u03bd\u03b7\u03c2 \u03bc\u03b5\u03af\u03b6\u03c9\u03bd \u03c4\u03b5 \u03ba\u03b1\u1f76 \u03ba\u03c1\u03b5\u03af\u03c4\u03c4\u03c9\u03bd) 

The funeral procession was followed by the treasure (6.1.4, \u03c0\u03bb\u03bf\u1fe6\u03c4\u03bf\u03c2 \u1f10\u03bd\u03c4\u03b1\u03c6\u03af\u03c9\u03bd): gold, silver, clothes, presents
<\/td><\/tr>
BIBLIOGRAPHY:<\/strong><\/td><\/tr>

B\u00d6MMER (1952), RE: s.v. Pompa. Herrscher<\/em>, Vol. XXI.2, p. 1972, n.340.

PERRY, B. E. (1930). “Chariton and his romance from a literary-historical point of view”. American Journal of Philology<\/em>. The American Journal of Philology, Vol. 51, No. 2. 51 (2): 93\u2013134<\/a>

TILG, S. (2010): Chariton of Aphrodisias and the Invention of the Greek Love Novel<\/em>. Oxford University Press, Oxford<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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Callirhoe\u2019s funeral pompe TITLE: Callirhoe\u2019s funeral pompe DATE: Fiction, novel (written in mid. 1st c. AD) TEXT: HERCHER, R. (1859): Chariton. Chaereas and Callirhoe 6.1.1-3: Chariton, De Chaerea et Callirhoe EDITIONS\/TRANSLATIONS: GOOLD, G. P. (1995): Chariton: Callirhoe. Loeb Classical Library. Harvard University Press, Cambridge MENDOZA, J. (1979): Carit\u00f3n de Afrodisias \/ Jenofonte de \u00c9feso. Qu\u00e9reas y […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"aside","meta":{"footnotes":""},"categories":[9,10,6,5,7,8],"tags":[123,125,124,40,126,121,122],"class_list":["post-727","post","type-post","status-publish","format-aside","hentry","category-emperors-and-kings-epithets","category-performers","category-place","category-ruler","category-terms-for-procession","category-terms-for-statue-of-the-ruler","tag-army","tag-citizens","tag-council","tag-ephebes","tag-women-dressed-in-black","tag-121","tag-122","post_format-post-format-aside"],"_links":{"self":[{"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/posts\/727"}],"collection":[{"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/comments?post=727"}],"version-history":[{"count":6,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/posts\/727\/revisions"}],"predecessor-version":[{"id":1031,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/posts\/727\/revisions\/1031"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/media?parent=727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/categories?post=727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/tags?post=727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}