{"id":797,"date":"2022-01-26T22:39:56","date_gmt":"2022-01-26T22:39:56","guid":{"rendered":"https:\/\/www.upo.es\/investiga\/processionsandempire\/?p=797"},"modified":"2022-02-01T15:58:00","modified_gmt":"2022-02-01T15:58:00","slug":"eumenes-iis-pompe-in-teos-eumeneia","status":"publish","type":"post","link":"https:\/\/www.upo.es\/investiga\/processionsandempire\/eumenes-iis-pompe-in-teos-eumeneia\/","title":{"rendered":"Eumenes II\u2019s pompe in Teos (Eumeneia)"},"content":{"rendered":"\n

Eumenes II\u2019s pompe in Teos (Eumeneia)<\/h1>\n\n\n\n
TITLE:<\/strong> <\/td><\/tr>
Eumenes II\u2019s pompe<\/em> in Teos (Eumeneia<\/em>)
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DATE:<\/strong><\/td><\/tr>
Terminus ante quem <\/em>158 BC (190-160 BC)
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ACTUAL LOCATION:<\/strong><\/td><\/tr>
Fitzwilliam Museum at Cambridge (no. GR.39.1865)
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TEXT:<\/strong><\/td><\/tr>
CIG<\/em> 3068 = PHI<\/em> 256413 = AGRW<\/em> 12823 (1)<\/a> (2)<\/a>
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EDITIONS<\/strong>\/TRANSLATIONS:<\/strong><\/td><\/tr>

CIG 3068 = PHI 256413 = AGRW 12823 <\/a> 

STRANG, J. R. (2007): “The city of Dionysos: a social and historical study of the Ionian city of Teos” (Ph.D., State University of New York at Buffalo), pp. 279-280
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KEYWORDS:<\/strong>
<\/td><\/tr>
Word used to mean procession<\/strong>:<\/td><\/tr>
\u03c0\u03bf\u03bc\u03c0\u03ae (l. A.18-19, \u1f25 \u03c4\u03b5 \u03c0\u03bf\u03bc\u03c0\u1f74 \u03b4\u03b9\u03ad\u03bb\u03b8\u03b7\u03b9; l. B.22, \u1f10\u03bd \u03c4\u03b1\u1fd6\u03c2 \u03c0\u03bf\u03bc\u03c0\u03b1\u1fd6\u03c2)
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Word used to mean the cult images:<\/strong><\/td><\/tr>
\u03b5\u1f30\u03ba\u03cc\u03bd (l. B27, \u03b5\u1f30\u03ba\u03cc\u03bd\u03b1)
 
\u1f00\u03bd\u03b4\u03c1\u03b9\u03ac\u03bd\u03c4\u03b1 (l. A.23, \u03c0\u03b1\u03c1\u1f70 \u03c4\u1f78\u03bd \u1f00\u03bd\u03b4\u03c1\u03b9\u03ac\u03bd\u03c4\u03b1 \u03c4\u1f78\u03bd \u039a\u03c1\u03ac\u03c4\u03c9\u03bd\u03bf\u03c2, from the word \u1f00\u03bd\u03b4\u03c1\u03b9\u03ac\u03c2, \u201cimage of a man, statue\u201d)
<\/td><\/tr>
Gods or other entities named:<\/strong><\/td><\/tr>
Dionysos Kathegemon (l. A.5, \u03c4\u1f78\u03bd \u03ba\u03b1\u03b8\u03b7\u03b3\u03b5\u03bc\u03cc\u03bd\u03b1 \u0394\u03b9\u03cc\u03bd\u03c5\u03c3\u03bf\u03bd; l. B26-27)
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Description of the cult images:<\/strong><\/td><\/tr>
<\/td><\/tr>
Procession\u2019s route:<\/strong><\/td><\/tr>
The procession ended in the theatre (l. A. 16, \u1f10\u03bd \u03c4\u1ff6\u03b9 \u03b8\u03b5\u03ac\u03c4\u03c1\u03c9\u03b9; l. A.23, \u1f10\u03bd \u03c4\u1ff6\u03b9 \u03b8\u03b5\u03ac\u03c4\u03c1\u03c9\u03b9; l. B.16-17, \u1f10\u03bd \u03c4\u1ff6\u03b9 \u03b8\u03b5\u03ac\u03c4\u03c1\u03c9\u03b9)
<\/td><\/tr>
Frequency with which the procession takes place:<\/strong><\/td><\/tr>
Every year in the theater on the anniversary day of King Eumenes (l. A.16-18, \u1f10\u03bd \u03c4\u1ff6\u03b9 \u03b8\u03b5\u03ac\u03c4\u03c1\u03c9\u03b9 \u1f41 \u1f11\u03ba\u03ac\u03c3\u03c4\u03bf\u03c4\u03b5 \u03b3\u03b9\u03bd\u03cc\u03bc\u03b5\u03bd\u03bf\u03c2 \u1f00\u03b3\u03c9\u03bd\u03bf\u03b8\u03ad\u03c4\u03b7\u03c2 \u03ba\u03b1\u1f76 \u1f31\u03b5\u03c1\u03b5\u1f7a\u03c2 \u03b2\u03b1\u03c3\u03b9\u03bb\u03ad\u03c9\u03c2 \u0395\u1f50\u03bc\u03ad\u03bd\u03bf\u03c5 \u1f10\u03bd \u03c4\u1fc6\u03b9 \u03b2\u03b1\u03c3\u03b9\u03bb\u03ad\u03c9\u03c2 \u0395\u1f50\u03bc\u03ad\u03bd\u03bf\u03c5 \u1f21\u03bc\u03ad\u03c1\u03b1\u03b9)
<\/td><\/tr>
Performers:<\/strong><\/td><\/tr>
\u03c4\u1f78 \u03ba\u03bf\u03b9\u03bd\u1f78\u03bd \u03c4\u1ff6\u03bd \u03c3\u03c5\u03bd\u03b1\u03b3\u03c9\u03bd\u03b9\u03c3\u03c4\u1ff6\u03bd (CIG 3068, l. B.1); the synagonistai<\/em> were assistants of the Dionysiac actors, but in this case, the designation probably extended towards musicians etc, as Kraton the aulos-player is called “one of them” (l. 13; cf. Aneziri 2003, p. 325)
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References to the public attending the procession:<\/strong><\/td><\/tr>
<\/td><\/tr>
Rites related to the procession:<\/strong><\/td><\/tr>

“Common banquet” (l. A.15, \u03ba\u03bf\u03b9\u03bd\u1f78\u03bd \u03b4\u03b5\u1fd6\u03c0\u03bd\u03bf\u03bd) 
Kraton is to be crowned during the association’s banquet and in the theatre (l. A.14-16) 

A pronouncement of the crown by the officials during the drinking festivities after the libations on the same day (l. A. 19-22, \u1f41\u03bc\u03bf\u03af\u03c9\u03c2 \u03b4\u1f72 \u03ba\u03b1\u1f76 \u03c0\u03b1\u03c1\u1f70 \u03c4\u1f78\u03bd \u03c0\u03cc\u03c4\u03bf\u03bd \u03b3\u03b9\u03bd\u03ad\u03c3\u03b8\u03c9 \u03c4\u1fc6\u03b9 \u03b1\u1f50\u03c4\u1fc6\u03b9 \u1f21\u03bc\u03ad\u03c1\u03b1\u03b9 \u03bc\u03b5\u03c4\u1f70 \u03c4\u1f70\u03c2 \u03c3\u03c0\u03bf\u03bd\u03b4\u1f70\u03c2 \u1f51\u03c0\u1f78 \u03c4\u1ff6\u03bd \u1f00\u03c1\u03c7\u03cc\u03bd\u03c4\u03c9\u03bd \u1f21 \u1f00\u03bd\u03b1\u03b3\u03b3\u03b5\u03bb\u03af\u03b1 \u03c4\u03bf\u1fe6 \u03c3\u03c4\u03b5\u03c6\u03ac\u03bd\u03bf\u03c5. \u03c0\u03b1\u03c1\u03b1\u03c4\u03af\u03b8\u03b5\u03c3\u03b8\u03b1\u03b9 \u03b4\u1f72 \u03ba\u03b1\u1f76 \u1f10\u03bd \u03c4\u03b1\u1fd6\u03c2 \u03b8\u03ad\u03b1\u03b9\u03c2) 

A tripod and an incense-burner were placed by the statue of Kraton in the theater, and the director of contests and the priest of King Eumenes in office each year undertook the fumigation (l. A.22-26, \u03ba\u03b1\u1f76 \u1f10\u03bd \u03c4\u03b1\u1fd6\u03c2 \u03c0\u03bf\u03bc\u03c0\u03b1\u1fd6\u03c2 \u03c0\u03b1\u03c1\u1f70 \u03c4\u1f78\u03bd \u1f00\u03bd\u03b4\u03c1\u03b9\u03ac\u03bd\u03c4\u03b1 \u03c4\u1f78\u03bd \u039a\u03c1\u03ac\u03c4\u03c9\u03bd\u03bf\u03c2 \u03c4\u1f78\u03bd \u1f10\u03bd \u03c4\u1ff6\u03b9 \u03b8\u03b5\u03ac\u03c4\u03c1\u03c9\u03b9 \u03c4\u03c1\u03af\u03c0\u03bf\u03b4\u03ac \u03c4\u03b5 \u03ba\u03b1\u1f76 \u03b8\u03c5\u03bc\u03b9\u03b1\u03c4\u03ae\u03c1\u03b9\u03bf\u03bd, \u03ba\u03b1\u1f76 \u03c4\u1fc6\u03c2 \u1f10\u03c0\u03b9\u03b8\u03c5\u03bc\u03b9\u03ac\u03c3\u03b5\u03c9\u03c2 \u03c4\u1f74\u03bd \u1f10\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1\u03bd \u03ba\u03b1\u03b8\u2019 \u1f15\u03ba\u03b1\u03c3\u03c4\u03bf\u03bd \u1f14\u03c4\u03bf\u03c2 \u03b1\u1f30\u03b5\u1f76 \u03c0\u03bf\u03b9\u03b5\u1fd6\u03c3\u03b8\u03b1\u03b9 \u03c4\u1f78\u03bd \u1f00\u03b3\u03c9\u03bd\u03bf\u03b8\u03ad\u03c4\u03b7\u03bd \u03ba\u03b1\u1f76 \u1f31\u03b5\u03c1\u03ad\u03b1 \u03b2\u03b1\u03c3\u03b9\u03bb\u03ad\u03c9\u03c2 \u0395\u1f50\u03bc\u03ad\u03bd\u03bf\u03c5 \u03b3\u03b9\u03bd\u03cc\u03bc\u03b5\u03bd\u03bf\u03bd)
<\/td><\/tr>
Allusions to conduct or forms of reverence:<\/strong><\/td><\/tr>
<\/td><\/tr>
Other remarkable elements<\/strong>:<\/td><\/tr>

It is a monument of marble that was erected in the Dionysion (l. 25), it was found in 1732 in the ancient city of Teos (Ionia), in Western Asia Minor, with a decree translated below involves honors for Kraton of Chalkedon by the Ionian-Hellespontine performers (centered at Teos) and the performers devoted to Dionysos Kathegemon (centered at Pergamon)
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BIBLIOGRAPHY:<\/strong><\/td><\/tr>

ANERIZI, S. (2003), Die Vereine der dionysischen Techniten im Kontext der hellenistischen Gesellschaft. Untersuchungen zur Geschichte, Organisation und Wirkung der hellenistischen Technitenvereine<\/em>. Stuttgart

B\u00d6MMER (1952), RE: s.v. Pompa. Herrscher<\/em>, Vol. XXI.2, p. 1967, n.289-293

BOULAY, Th. (2013): “Les ‘groupes de r\u00e9f\u00e9rence’ au sein du corps civique de T\u00e9os”. In: P. Fr\u00f6hlich, and P. Hamon (eds.<\/em>), Groupes et associations dans les cit\u00e9s grecques (IIIe si\u00e8cle av. J.-C. \u2013 IIe si\u00e8cle apr. J.-C.)<\/em>, Gen\u00e8ve, pp. 251-275

LE GUEN, B. (1997): De la sc\u00e8ne aux gradins: th\u00e9\u00e2tre et repr\u00e9sentations dramatiques apr\u00e8s, Presses Universitaires du Miral, Toulouse, p. 55<\/a> 

MA, J. (2007): \u201cA Horse from Teos: Epigraphical Notes on the Ionian-Hellespontine Association of Dionysiac Artists\u201d, in P. Wilson (ed.), Greek Theatre and Festivals<\/em>, pp. 215-245<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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Eumenes II\u2019s pompe in Teos (Eumeneia) TITLE: Eumenes II\u2019s pompe in Teos (Eumeneia) DATE: Terminus ante quem 158 BC (190-160 BC) ACTUAL LOCATION: Fitzwilliam Museum at Cambridge (no. GR.39.1865) TEXT: CIG 3068 = PHI 256413 = AGRW 12823 (1) (2) EDITIONS\/TRANSLATIONS: CIG 3068 = PHI 256413 = AGRW 12823   STRANG, J. R. (2007): “The […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"aside","meta":{"footnotes":""},"categories":[9,10,6,5,7,8],"tags":[145,147,69,146,142,13],"class_list":["post-797","post","type-post","status-publish","format-aside","hentry","category-emperors-and-kings-epithets","category-performers","category-place","category-ruler","category-terms-for-procession","category-terms-for-statue-of-the-ruler","tag-eumenes-ii","tag-synagonistai","tag-teos","tag-146","tag-142","tag-13","post_format-post-format-aside"],"_links":{"self":[{"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/posts\/797"}],"collection":[{"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/comments?post=797"}],"version-history":[{"count":5,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/posts\/797\/revisions"}],"predecessor-version":[{"id":1054,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/posts\/797\/revisions\/1054"}],"wp:attachment":[{"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/media?parent=797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/categories?post=797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.upo.es\/investiga\/processionsandempire\/wp-json\/wp\/v2\/tags?post=797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}