Musical Scenes from Ibero-America

Authors

  • Pablo Alejandro Suárez Marrero Facultad de Música, Universidad Nacional Autónoma de México

DOI:

https://doi.org/10.46661/ccselap-9521

Keywords:

musical scenes, Ibero-America, short notes, academic brief

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References

Bennett, A. (2004). Consolidating the music scenes perspective. In «Poetics», no. 32: pp. 223-234. https://doi.org/10.1016/j.poetic.2004.05.004

Bennett, A. & Peterson, R. (edits.). (2004). Music Scenes: Local, Trans-Local and Virtual. Nashville: University of Vanderbilt Press. https://doi.org/10.2307/j.ctv17vf74v

Cambria, V. (2017). Cenas musicais: reflexões da etnomusicologia. In «Música e Cultura», no. 10: pp. 01-17.

Connell, J. & Gibson, C. (2003). Soundtracks: Popular Music, Identity and Place. London: Routledge.

Pedro, J.; Piquer, R. & del Val, F. (2018). Repensar las escenas musicales contemporáneas: genealogía, límites y aperturas. In «Cuadernos de Etnomusicología», no. 12: pp. 63-88.

Pereira, S. & Janotti, J. (orgs.). (2013). Cenas Musicais. São Paulo: Anadarco Editora.

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Published

2024-06-28

How to Cite

Suárez Marrero, P. A. (2024). Musical Scenes from Ibero-America. Comparative Cultural Studies: European and Latin American Perspectives, (18), 1–4. https://doi.org/10.46661/ccselap-9521

Issue

No. 18 (2024): Theories, political practice and poetics of decolonial and feminist projects from Abya Yala and the Global South

Section

Short Notes

License

Copyright (c) 2024 Pablo Alejandro Suárez Marrero

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