Tag

βωμὸν

Lysimachus’ pompe in Priene

Lysimachus’ pompe in Priene

TITLE:
Lysimachus’ pompe in Priene
DATE:
c. 285 BC
TEXT:
OGIS 11 = I.Priene 14
EDITIONS/TRANSLATIONS:
OGIS 11 = I.Priene 14
KEYWORDS:
Word used to mean procession:
πομπή (l. 21, καὶ πομπ̣ὴ[ν π]έμπε[ιν)
Word used to mean the cult images:
ἄγαλμα (l. 15, καὶ] ἄγαλμα χαλκοῦν) 
βωμὸν (l. 17)
Gods or other entities named:
Description of the cult images:
A bronze statue of him (l. 15, ἄγαλμα χαλκοῦν)  

An altar both erected in the agora (l. 17, καὶ βωμὸν αὐ[τοῦ ἐν τῆι ἀγορᾶι) 

A [gold] crown of 1000 staters (l. 14-15, στεφά[ν]ωι [χρυσῶι] ἀπὸ χρυσῶν χιλίων)
Procession’s route:
Frequency with which the procession takes place:
Every year sacrifices on the king’s altar (l. 19, καθ’ ἕκασ]τον ἐνιαυτὸν) as well as every year took place the procession on the day of the king’s birthday (l. 22-23, τοῖς γενεθλίοις βασιλέως Λυσιμάχου)
Performers:
The priests and the colleges of magistrates and all the citizens (l. 21-22, πομπ̣ὴ[ν π]έμπε[ιν το]ύς τε ἱερεῖς καὶ τὰς συναρχ[ίας] καὶ τοὺς πολίτας πά̣[ντας)
References to the public attending the procession:
All the citizens wearing garlands (l. 20, στεφαν̣ηφορεῖν [τ]ο̣[ὺ]ς̣ πολ̣ί[τ]α̣ς ἅπαν[τας])
Rites related to the procession:
The priests and the priestesses of the city shall sacrifice on the altar every year (l. 18-20, καὶ θύειν καθ’ ἕκασ]τον ἐνιαυτὸν [τούς τε ἱερεῖς καὶ τὰς ἱερείας τὰς κατὰ] τὴμ πόλιν); sacrifices on the day of the procession (l. 24, θύματα)
Allusions to conduct or forms of reverence:
Other remarkable elements:

Lysimachos (l. 1, Βασιλεῖ [Λυσιμάχωι.], c. 360 BC – 281 BC), king of Thrace, Asia Minor and Macedon since 306 BC, had intervened to protect the city of Priene from an attack by the city of Magnesia supported by the local population; in return, Priene then established a cult of Lysimachos 
BIBLIOGRAPHY:
BÖMMER (1952), RE: s.v. Pompa. Herrscher, Vol. XXI.2, p. 1968, n.297

Helen, S. L. (2002): Lysimachus: a study in early Hellenistic kingship, Routledge, London

Seres, D. (2017): “Dynamics of public memory in Hellenistic Priene: a case study”. In: Bajnok, Dániel (ed.), ALIA MISCELLANEA ANTIQUITATUM. Proceedings of the Second Croatian–Hungarian PhD Conference on Ancient History and Archaeology. Budapest-Debrecen, pp. 189–200

Artemidorus of Knidus’ pompe (Artemidoreia)

Artemidorus of Knidus’ pompe (Artemidoreia)

TITLE:
Artemidorus of Knidus’ pompe (Artemidoreia)
DATE:
“Artemidoros together with his father had obtained the grant of freedom and exemption from taxation for his city from Caesar, shortly after the battle of Pharsalos in 48 BC.40 The inscription then should be dated shortly after 48 BC, when Artemidoros was still alive” (Strubble 2004, p. 324)
ACTUAL LOCATION:
British Museum number 1859,1226.764 
TEXT:
Greek Inscriptions in the British Museum 4.1.787 (blue marble block; 19 lines of Greek inscription) (The inscriptions have been republished by W. Blümel as IK Knidos 51-55 and 59): 
EDITIONS/TRANSLATIONS:
Greek Inscriptions in the British Museum 4.1.787 = IK Knidos 59
KEYWORDS:
Words used to mean procession:
ταφᾶι δαμοσίαι καὶ ἐνταφᾶι(IK 59 l. 9, “a public funeral and burial”)
πομπὰν (IK 59 l. 16)
Words used to mean the cult images:
εἰκόσι (IK 59 l. 2)

εἰκόνα χρυσέαν (IK 59 l. 12) 

βωμὸν (IK  59 l. 15, an altar)
Gods or other entities named:
Ἀρτάμιτι τᾶι Ἱακυνθοτρόφωι [κ]αὶ Ἐπιφανεῖ (IK 59 l. 13-14, Artemis Hiakynthotrophos and Epiphanes)
Description of the cult images:
Gold and marble statues of Artemidorus (IK l. 2-3, 12) 
The gold one next to (IK 59 l. 12, σύνναον) the temple of Artemis Hiakynthotrophos and Epiphanes
Procession’s route:
Frequency with which the procession takes place:
Every four years (IK 59 l. 17, πενταετηρικὸν)
Performers:
References to the public attending the procession:
Rites related to the procession:
Sacrifices (IK 59 l. 16 θυσίας), Petropoulou 2008, p.87: “Artemidorus was to be (…) offered sacrifices like those offered to gods; undoubtedly, this must mean that the sacrifices offered to him would not be just of the ‘cthonian’ (or heroic) type. (…) they were individual cults, and as such they are explained in the context of  the cultic shift occurring in the first century BC, when the collective cults of benefactors was superseded by the cult of individuals (which was soon to be superseded by the cult of the emperor). Scholars usually assume that, from the reign of Augustus onwards, such individuals were mostly offered ‘chthonian’ (or else ‘heroic’) and not divine sacrifices”
Allusions to conduct or forms of reverence:
Other remarkable elements:

Artemidorus of Knidos (Ἀρτεμίδωρος) was a native of the city of Knidos in Caria, southwest Anatolia, whose name was found on an inscription at Knidos by Sir Charles Thomas Newton; that Artemidorus was honored in this way could be due to the tax remittance granted by Caesar (friends of his son Theopompus) to the Knidians as a reward for his families’ adherence (vd. Plut. Caes. 48). Artemidoros may have used his influence in Rome to obtain further privileges for Knidos, perhaps after the battle of Actium; at any rate, exceptional honours were voted for him in in his lifetime as we can see in the inscriptions

The inscription tells us that Artemidorus will receive a crown of olive (IK 59 l. 1, [χρυσ]<έ>ωι θαλλοῦ στεφάνωι), three crowns of gold (IK 59 l. 2, [χρ]υσέοις στεφάνοις τρισί), three bronze statues (IK 59 l. 3, [χα]λκέαις τρισὶ), and anonther three made of marble and gold (IK 59 l. 2-3, μαρμαρίναις [τρι]σὶ καὶ χρυσέαις τρισί); Artemidorus also will receive the right of wearing crowns and precedence at all public games for him and his descendants (IK 59 l. 5, στεφαναφορίαις καὶ προεδρίαις); when Artemidorus departs from life, he was  honoured with a public funeral and burial in the city in the most prominent place within the gymnasium (IK 59 l. 8-11). Artemidoros will be priest for life of Artemis Hiakynthotrophos and Epiphanes (IK 59 l. 15, ἱερεὺς [ὑ]πάρχει διὰ βίου).

The people of Knidus also honoured him with god-like honours (IK 59 l. 16, τιμαῖς ἰσοθέοις) and set up an altar for him (IK  59 l. 15, βωμὸν); the festival was called Ἀρτεμιδώρεια (IK 59 l. 18)
BIBLIOGRAPHY:

BÖMMER (1952), RE: s.v. Pompa. Herrscher, Vol. XXI.2, p. 1965, n.276

BRUNS-ÖZGAN, CHR. (2009): “Eine feine Familie: Theopompos von Knidos und seine Nachkommen,” Epigraphica Anatolica 42, pp. 103-134 

CHANIOTIS, A. (2011): “Epigraphic bulletin for Greek religion”, Kernos 9

COHEN, G. M. (2006): The Hellenistic settlements in Syria, the Red Sea basin, and North Africa, University of California Press, Lon Angeles, pp.112-113
 
HAMILTON, W. J. (1842). Researches in Asia Minor, Pontus, and Armenia, Ch. XXXIII, London

STRUBBE, J. (2004). ” Cultic honours for benefactors in the cities of Asia Minor”. In: Roman Rule and Civic Life: Local and Regional Perspectives, Brill, Leiden / Boston

THÉRIAULT, G. (2003): “Évergétisme grec et administration romaine: la famille cnidienne de Gaios Ioulios Théopompos”, Phoenix 57, pp. 232-256

Queen Apollonis of Pergamon’s pompe

Queen Apollonis of Pergamon’s pompe

TITLE:
Queen Apollonis of Pergamon’s pompe 
DATE:
c. 166-159 BC
TEXT:
OGIS 309: Orientis Graeci inscriptiones selectae (OGIS) 2 vols. Leipzig, 1903-1905. Reprint Olms, Hildesheim, 1986
OGIS 309
EDITIONS/TRANSLATIONS:
OGIS 309 
KEYWORDS:
Word used to mean procession:
πομπή (l. 9 [πομπ]εῦσαι? / [χορ]εῦσαι, vb. χορεύω) 
Words used to mean the cult images:
Altar (l. 14, [βωμὸν] θεᾶς Ἀπολλωνίδος Εὐσεβοῦς Ἀποβατηρίας)
Gods or other entities named:
Dionysus (l. 1, ἐν τῶι Διο[νυσίωι]) 
Goddess Apollonis (l. 13 and 14) 
Stratonice (l. 6, Στρατονίκη; died about 135 BC, princess of Cappadocia and through marriage a queen of Pergamon).
Description of the cult images:
Procession’s route:
From the temple of Dionysus = Dionysion? (l. 1 ἐν τῶι Διο[νυσίωι)
Frequency with which the procession takes place:
Every year
Performers:
Sacred and the public magistrates both those in the city and those in the countryside (l. 1 τὰς συναρχίας … l. 3, τ̣ὰ̣ς̣ ἐν τῆι πόλει καὶ τῆι χώραι) 

The priest of Aphrodite and the goddess Apollonis Eusebes, and the priestess of Apollonis and queen Stratonike along with the president and the hieropoioi and the other magistrates (l. 4-6, τὸν ἱερέα τ̣[ῆς] [Ἀφρο]δίτης καὶ θεᾶς Ἀπολλωνίδος Εὐσεβοῦς καὶ τὴν ἱέρειαν αὐτῆς κα[ὶ] [βα]σιλίσσης Στρατονίκης καὶ τὸν πρύτανιν καὶ τοὺς ἱεροποιοὺς)
References to the public attending the procession:
Rites related to the procession:

Prayers, libations, and sacrifices, after that the free-born boys sing an altar hymn; and the maidens chosen by the supervisor of education shall perform a dance and sing a hymn (l. 7-10, καὶ μετὰ τὸ συντελεσθῆναι τὰς κατευχὰς καὶ τὰς [σ]π̣ονδὰς καὶ τὰς θυσίας, ἆισαι τοὺς ἐλευθέρους παῖδας παραβώμιον, [χορ]εῦσαι δὲ καὶ τὰς παρθένους τὰς ἐπιλεγείσας ὑπὸ τοῦ παιδονόμου [καὶ] ἆισαι ὕμνον) 

The timouchoi and generals in office each year shall see to it (l. 12-13, τοὺς τιμούχους καὶ τοὺς σ[τρα][τ]η[γο]ὺς); sacrifice on the Apollonis’ altar in the agora (l. 15, [θ]υσ[ίαν —])
Allusions to conduct or forms of reverence:
Other remarkable elements:

It is a decree instituting religious ceremonies in honor of Queen Apollonis of Pergamon (Attalus I of Pergamon’s wife) in the city of Teos. She was the mother of Eumenes II and Attalus II; although the royal family of the Attalids often received god-like honours in the cities of their kingdom, they were not given the title ‘god’ or ‘goddess’ until after their death; therefore this cult of Apollonis at Teos must have started after her death. A truce (l. 3, ἐχεχειρίας) was held between everyone on this day
BIBLIOGRAPHY:

BÖMMER (1952): RE, s.v. Pompa. Herrscher, Vol. XXI.2, p. 1965, n.273

PANAGIOTIS, I. P. (2012): “Apollonis, wife of Attalos I”. In: The Encyclopedia of Ancient History, edited by R.S. Bagnall, K. Brodersen, C.B. Champion, A. Erskine and S.R. Huebner (eds.), Wiley-Blackwell, Hoboken

MASSA-PAIRAULT, F-H. (1981–82): “Il problema degli stilopinakia del templo di Apollonis a Cizico. Alcune considerazioni”, Annali della Facoltà di Lettere e Filosofia di Perugia 19, pp. 147–219

MIRÓN, D. (2018): “From Family to Politics: Queen Apollonis as Agent of Dynastic/Political Loyalty.” In: Royal Women and Dynastic Loyalty: Queenship and Power, edited by Dunn Caroline and Carney Elizabeth, Palgrave Macmillan, London, pp. 31-48

VAN LOOY, H. and K. DEMOEN (1986): “Le temple en l’honneur de la reine Apollonis à Cyzique et l’énigme des stylopinakia”, Epigraphica Anatolica 8, pp. 133-142

VAN LOOY, H. (1976): “Apollonis Reine De Pergame”, Ancient Society 7, pp. 151-65