| TITLE: |
| Hadrian’s pompe in Ephesos |
| DATE: |
| c. 117-138 AD |
| ACTUAL LOCATION: |
| British Museum, it was found upon the site of the Great Theatre of Ephesos |
| TEXT: |
| NEWTON, C T; HICKS, E L; HIRSCHFIELD, G.; MARSHALL, F. H. (ed.) (1874-1916): The collection of ancient Greek inscriptions in the British Museum, London, p. 221, n.600 (DC) |
| EDITIONS/TRANSLATIONS: |
| KEYWORDS: |
| Word used to mean procession: |
| Word used to mean the cult images: |
| Gods or other entities named: |
Dionysos, Zeus Panhellenios, and Hephaestos (l. 1-2, l. 46), cf. Newton et al. 1874-1916, p. 222: “it is obvious to conjecture in the names Dionysos and Zeus Panhellenios we have an allusion to that Emperor who is well known to have been worshipped under both these titles” |
| Description of the cult images: |
| Procession’s route: |
| Frequency with which the procession takes place: |
| Performers: |
| The priest of Dionysus (l. 1-5) |
| References to the public attending the procession: |
| There is a list at the end with the names of Dionysiac worshippers |
| Rites related to the procession: |
| Allusions to conduct or forms of reverence: |
| Other remarkable elements: |
| Newton et al. 1874-1916, p. 222: “We may interpret this as a record of a festival and procession in honour of Hadrian, worshipped as the ‘Young Dionysos’” |
| BIBLIOGRAPHY: |
| BÖMMER (1952), RE: s.v. Pompa. Herrscher, Vol. XXI.2, p. 1967, n.294 and 122 NEWTON, C T; HICKS, E L; HIRSCHFIELD, G.; MARSHALL, F. H. (eds.) (1874-1916): The collection of ancient Greek inscriptions in the British Museum, London, p. 221, n.600 (DC) |
Tag
εἰκόν
Eumenes II’s pompe in Teos (Eumeneia)
Eumenes II’s pompe in Teos (Eumeneia)
| TITLE: |
| Eumenes II’s pompe in Teos (Eumeneia) |
| DATE: |
| Terminus ante quem 158 BC (190-160 BC) |
| ACTUAL LOCATION: |
| Fitzwilliam Museum at Cambridge (no. GR.39.1865) |
| TEXT: |
| CIG 3068 = PHI 256413 = AGRW 12823 (1) (2) |
| EDITIONS/TRANSLATIONS: |
CIG 3068 = PHI 256413 = AGRW 12823 STRANG, J. R. (2007): “The city of Dionysos: a social and historical study of the Ionian city of Teos” (Ph.D., State University of New York at Buffalo), pp. 279-280 |
| KEYWORDS: |
| Word used to mean procession: |
| πομπή (l. A.18-19, ἥ τε πομπὴ διέλθηι; l. B.22, ἐν ταῖς πομπαῖς) |
| Word used to mean the cult images: |
| εἰκόν (l. B27, εἰκόνα) ἀνδριάντα (l. A.23, παρὰ τὸν ἀνδριάντα τὸν Κράτωνος, from the word ἀνδριάς, “image of a man, statue”) |
| Gods or other entities named: |
| Dionysos Kathegemon (l. A.5, τὸν καθηγεμόνα Διόνυσον; l. B26-27) |
| Description of the cult images: |
| Procession’s route: |
| The procession ended in the theatre (l. A. 16, ἐν τῶι θεάτρωι; l. A.23, ἐν τῶι θεάτρωι; l. B.16-17, ἐν τῶι θεάτρωι) |
| Frequency with which the procession takes place: |
| Every year in the theater on the anniversary day of King Eumenes (l. A.16-18, ἐν τῶι θεάτρωι ὁ ἑκάστοτε γινόμενος ἀγωνοθέτης καὶ ἱερεὺς βασιλέως Εὐμένου ἐν τῆι βασιλέως Εὐμένου ἡμέραι) |
| Performers: |
| τὸ κοινὸν τῶν συναγωνιστῶν (CIG 3068, l. B.1); the synagonistai were assistants of the Dionysiac actors, but in this case, the designation probably extended towards musicians etc, as Kraton the aulos-player is called “one of them” (l. 13; cf. Aneziri 2003, p. 325) |
| References to the public attending the procession: |
| Rites related to the procession: |
“Common banquet” (l. A.15, κοινὸν δεῖπνον) Kraton is to be crowned during the association’s banquet and in the theatre (l. A.14-16) A pronouncement of the crown by the officials during the drinking festivities after the libations on the same day (l. A. 19-22, ὁμοίως δὲ καὶ παρὰ τὸν πότον γινέσθω τῆι αὐτῆι ἡμέραι μετὰ τὰς σπονδὰς ὑπὸ τῶν ἀρχόντων ἡ ἀναγγελία τοῦ στεφάνου. παρατίθεσθαι δὲ καὶ ἐν ταῖς θέαις) A tripod and an incense-burner were placed by the statue of Kraton in the theater, and the director of contests and the priest of King Eumenes in office each year undertook the fumigation (l. A.22-26, καὶ ἐν ταῖς πομπαῖς παρὰ τὸν ἀνδριάντα τὸν Κράτωνος τὸν ἐν τῶι θεάτρωι τρίποδά τε καὶ θυμιατήριον, καὶ τῆς ἐπιθυμιάσεως τὴν ἐπιμέλειαν καθ’ ἕκαστον ἔτος αἰεὶ ποιεῖσθαι τὸν ἀγωνοθέτην καὶ ἱερέα βασιλέως Εὐμένου γινόμενον) |
| Allusions to conduct or forms of reverence: |
| Other remarkable elements: |
It is a monument of marble that was erected in the Dionysion (l. 25), it was found in 1732 in the ancient city of Teos (Ionia), in Western Asia Minor, with a decree translated below involves honors for Kraton of Chalkedon by the Ionian-Hellespontine performers (centered at Teos) and the performers devoted to Dionysos Kathegemon (centered at Pergamon) |
| BIBLIOGRAPHY: |
ANERIZI, S. (2003), Die Vereine der dionysischen Techniten im Kontext der hellenistischen Gesellschaft. Untersuchungen zur Geschichte, Organisation und Wirkung der hellenistischen Technitenvereine. Stuttgart BÖMMER (1952), RE: s.v. Pompa. Herrscher, Vol. XXI.2, p. 1967, n.289-293 BOULAY, Th. (2013): “Les ‘groupes de référence’ au sein du corps civique de Téos”. In: P. Fröhlich, and P. Hamon (eds.), Groupes et associations dans les cités grecques (IIIe siècle av. J.-C. – IIe siècle apr. J.-C.), Genève, pp. 251-275 LE GUEN, B. (1997): De la scène aux gradins: théâtre et représentations dramatiques après, Presses Universitaires du Miral, Toulouse, p. 55 MA, J. (2007): “A Horse from Teos: Epigraphical Notes on the Ionian-Hellespontine Association of Dionysiac Artists”, in P. Wilson (ed.), Greek Theatre and Festivals, pp. 215-245 |
Diodorus Pasparus’ pompe in Pergamon
Diodorus Pasparus’ pompe in Pergamon
| TITLE: |
| Diodorus Pasparus’ pompe in Pergamon |
| DATE: |
| c. 69 BC |
| TEXT: |
| OGIS 764 = MDAI(A) 32 (1907) 243, 4 |
| EDITIONS/TRANSLATIONS: |
OGIS 764 = MDAIA[A] 32.4, MDAIA[A] 35.2, IvP 2.256, MDAIA[A] 29.1, MDAIA[A] 32.8 CANALI DE ROSSI, F. (2006): Iscrizioni storiche ellenistiche. Decreti per ambasciatori greci al Senato (Vol. 3) nos. 190 & 191 (Italian) |
| KEYWORDS: |
| Word used to mean procession: |
πομπή (l. 43, στ̣[αλῆν]αι πομπὴν; l. 43, πομπευόντων, vb. πομπεύω) συμπομπεύω (l. 45, συμπομπευόν[των) |
| Word used to mean the cult images: |
ἄγαλμα (l. 26, ἀγάλματι; l. 32-33, τὸ ἄγαλμα σ[τή][λ]ην λίθου λευκοῦ; l. 42, εἰς ὃν ἀνατεθῆναι τὸ ἄγαλμα) εἰκόν (l. τῶν εἰκόνων ἢ τὸ ἄγαλμα, “the statues he wishes – or the marble statue”) |
| Gods or other entities named: |
| Zeus the Greatest (l. 30, Διὸς τοῦ μεγίσ[του]) |
| Description of the cult images: |
It was resolved by the decree to crown him with a golden crown for valour and with a gilded statue and two statues on horseback and another colossal statue of bronze, representing him being crowned by the people, and another statue of marble, all of them set up in the city temples (l. 24-26, καὶ στεφανῶσαι αὐτὸν χρυσῶι στεφάν[ωι ἀριστείωι καὶ ἰκόνι χρυσῆι καὶ ἄλληι ἐφίππωι καὶ ἄλλῃ χαλκῆι κολοσσικῆι στεφανου[μένηι ὑπὸ] τοῦ δήμου καὶ ἄλληι ἐφίππωι καὶ ἀγάλματι μαρμαρίνωι) The gilded statues were placed on marble pillars, and the bronze statues likewise on marble bases, and the marble statue in the shrine which was also constructed, with an inscription and the decree itself as well (l. 27-29, τῶν μὲν χρ[υσῶν ἐπὶ στυ]λίδων μαρμαρίνων, τῶν δὲ χαλκῶν ἐπὶ βημάτων ὁμοίως μαρμαρίνων, τοῦ δὲ ἀ[γάλ]ματος ἐν τῷ κατασκευασθησομένωι ναῶι, γενομένης ἑπιγραφῆς) |
| Procession’s route: |
From the prytaneion to his shrine / sacred precinct (temenos) (l. 43, ἐκ τοῦ πρυτανείου εἰς τὸ τέμενος αὐτοῦ) |
| Frequency with which the procession takes place: |
Every year (l. 49, καθ’ ἕκασ]τ̣ον ἐνιαυτὸν ἐν τῇ αὐτῇ ἡμέραι) on the day when the shrine was dedicated (l. 42-43, ἐν ᾗ δ’ ἄν ἡμέραι γίνηται ἡ καθιέρ[ωσις] αὐτοῦ στ̣[αλῆν]αι) |
| Performers: |
Diodorus and his children were followed by the prytaneis and the priests [a priest of himself, i.e. Diodorus (l. 38, αὐτοῦ καὶ ἱερέα)] The gymnasiarch with the deputy gymnasiarch and the ephebes and the paidonomoi (i.e. officials in Greek cities, responsible for the training of boys who were younger than ephebes) with the boys (l. 43-46, πομπευόντων [τοῦ τε]πρυτάν[εως καὶ] τ̣ῶ̣[ν ἱ]ε̣ρέων καὶ βασιλέων καὶ τοῦ γυμνασιάρχου μετὰ τοῦ ὑπο[γυμνασι] [άρχου καὶ τῶν ἐφήβων] καὶ τῶν παιδονόμων μετὰ τῶν παίδων, συμπομπευόν[των δὲ καὶ] [Διοδώρου μετὰ τ]ῶ̣ν παίδων) |
| References to the public attending the procession: |
| Rites related to the procession: |
| Allusions to conduct or forms of reverence: |
| Other remarkable elements: |
These inscriptions record exceptional ‘god-like’ honours voted to a citizen of Pergamon called Diodorus Pasparus, who was gymnasiarch at Pergamum during the 29th Nikephoria in 69 BC. And led a successful embassy to Rome which was honoured every eighth day of the month of Apollonios (l. 36, τὴν ὀγδόην τοῦ Ἀπολλωνίου μηνὸς), when Diodorus entered the city after the diplomatic mission. Diodorus was also honoured with a white marble shrine (l. 42, ναὸν λίθ̣[ου] λευκοῦ) |
| BIBLIOGRAPHY: |
BÖMMER (1952), RE: s.v. Pompa. Herrscher, Vol. XXI.2, p. 1967, n.287 BRENNAN, T. C. (2009): “Embassies gone wrong: roan diplomacy in the Constantinian Excerpta de legationibus”. In: “Diplomats and diplomacy in the Roman world”, Brill, Leiden / Boston, pp.171-174 CHANIOTIS, A., PLEKET, H.W., STROUD, R.S. and STRUBBE, J.H.M., “SEG 49-1770. Pergamon. The chronology of Diodoros Pasparos and the Nikephoria.”, in: Supplementum Epigraphicum Graecum, Current editors: A. T. E. N. Chaniotis Corsten Stavrianopolou Papazarkadas. Consulted online on 11 November 2021 CHANKOWSKI, A. S. (1998): “La procédure législative à Pergame au Ier siècle au J.-C.: à propos de la chronologie relative des décrets en l’honneur de Diodoros Pasparos”, Bulletin de Correspondance Hellénique 122.1, pp. 159-199 COUILLOUD-LE DINAHET, M.Th. (2005): “Les rituels funéraires en Asie Mineure et en Syrie à l’époque hellénistique (jusqu’au milieu du Ier siècle av. J.-C.)”. In: L’Orient méditerranéen de la mort d’Alexandre aux campagnes de Pompée. Cités et royaumes à l’époque hellénistique, Rennes, PUR, pp. 65-95 GENOVESE, C. (2011): “’Per eterna memoria e immortalità di un benefattore’. L’”Heroon” di Diodoro Pasparo a Pergamo”, in L. Campagna, C. Genovese, A. Filippini, L’evergetismo in Asia Minore (II sec. a.C. – III sec. d.C.). Modelli culturali, monumenti, risorse, dinamiche sociali, in Mediterraneo Antico 14, pp. 57-74 JONES, Ch. P. (1990): “Diodoros Pasparos revisited” Chiron 30, pp. 1-14 JONES, Ch. P. (1974): “Diodoros Pasparos and the Nikephoria of Pergamon”, Chiron 4, pp. 183-205 KOHL, M. (2002): “Das Nikephorien von Pergamon”, RA, pp. 227-253 |