La racialidad en la música
De Nicolás Guillén al rap y a Tony Ávila
DOI:
https://doi.org/10.13128/ccselap-11852Keywords:
musical creations, raciality, stereotype, racial prejudice racism, racismAbstract
The acknowledge of existence of racial discriminatory manifestations in Cuban society nowadays beside the declaration of the United Nations declaration of the decade of afro descendants in 2015 create the proper framework for developing any investigation related with racial topic. That’s why the goal of the present paper is to reveal how racial problem has been developed in Cuban music through the lyric of Nicolas Guillen’s poems Motivos de Son, the Cuban rap ¿Quién tiro la tiza? And Cientificamente Negro of Tony Avila. Originally Guillen’s poems were not conceived to be used by any musician. Nevertheless, outstanding musicians took them inspired by poems’ metric, rhythm and their poetic structure. Indeed, author main purpose was that negro people recognize and assume himself as such; the theme of the rap is a critical answer to the rebirth of hidden form of racial discrimination that emerged due to the economical social changes resulting from economical political situation while in Tony Avila’s work the negro not only conscientious assume himself as such, at the same time censure the persistence of stereotypes and exclusion racial manifestation.
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References
Henríquez M.A., Alejandro García Caturla, Editorial Museo de la Música, La Habana, 2006.
Helg Aline, Lo que nos corresponde. La lucha de los negros y mulatos por la igualdad en Cuba 1886-1912, Imagen Contemporánea, La Habana, 2000.
Morales Domínguez Esteban, La problemática racial en Cuba algunos de sus desafíos, Edi-torial José Martí, La Habana, 2010.
Ortiz Fernando, Epifanía de la mulatez. Historia y poesía, Fundación Fernando Ortiz, La Habana, 2015.
«Revista Archivo del Folklor Cubano», Glosas de Motivos de Son, vol. V, n. 3, julio- septiembre de 1930, La Habana.
«Revista de música Clave», año 14, n. 1, 2012, pp. 14-22.Zambrano Montes Alejandro, Rapear una Cuba utópica, Editorial Guantanamera, Sevilla, 2017.
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Copyright (c) 2020 Teresa Victoria Burunate Sánchez

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