Retratando el microcosmos colonial. Melchor Pérez Holguín y la “Entrada del arzobispo virrey Morcillo a Potosí”

Authors

Keywords:

Reception, Viceroys, Lima, Pérez Holguín

Abstract

This articule will use the painting of Melchor Pérez Holguin as a frame­work for understanding the social world of eighteenth-century Potosí. We will analyze the many allegories, using the party as a reinforcement of the authority of the elites and the colonial power, jurisdictional differences and the corporate world of the colonial Indian city. Melchor Pérez Holguín painting is undoubtedly a valuable pictorial document that leads us to discover the social and political life of American colonial world.

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Published

2011-03-01

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Section

Articles

How to Cite

“Retratando el microcosmos colonial. Melchor Pérez Holguín y la ‘Entrada del arzobispo virrey Morcillo a Potosí’” (2011) Atrio. Revista de Historia del Arte, (17), pp. 77–90. Available at: https://www.upo.es/revistas/index.php/atrio/article/view/549 (Accessed: 28 September 2026).

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