Gothic Noir Filmic Male Gaze: Gender Stereotyping in Margaret Atwood’s “The Freeze-Dried Groom”

Auteurs

  • Manuela López Ramírez INDEPEDENT SCHOLAR

DOI :

https://doi.org/10.46661/ambigua.5899

Mots-clés :

femme fatale, femme attrapée, male patriarchal gaze, gender stereotyping, Gothic film noir, private eye

Résumé

Stereotyping has been crucial in artistic representations, especially cinema, in the construction of gender paradigms. Males and females have been portrayed by means of simplified unrealistic clichés with the purpose of controlling and constraining them into patriarchal roles and conventions, promoting societal normative ideologies. Noir women are projections of male anxieties about female sexuality and female independence. In “The Freeze-Dried Groom,” Atwood unveils gender stereotyping through a typically film noir male gaze in three of its stock characters: the femme attrapée, the “detective” and the femme fatale. Hence, Atwood depicts a femme fatale to reflect not just on this character in film noir, but also on female identity, gender dynamics and feminism. She exposes and questions the marriage-family institution, and the patriarchal society as a whole.

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Espacios: naturaleza, poder y género

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Publiée

2021-12-14

Comment citer

López Ramírez, M. (2021). Gothic Noir Filmic Male Gaze: Gender Stereotyping in Margaret Atwood’s “The Freeze-Dried Groom”. Ambigua: Revista De Investigaciones Sobre Género Y Estudios Culturales, (8), 119–136. https://doi.org/10.46661/ambigua.5899

Numéro

No 8 (2021): Espacios: naturaleza, poder y género

Rubrique

Varia

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(c) Tous droits réservés MANUELA LOPEZ RAMIREZ 2021

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Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.

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