Militancy of popular feminism in the theater from the Argentinian Northwest region (2015-2020).
DOI:
https://doi.org/10.46661/ambigua.8253Keywords:
theatre, performance, popular feminism, militancy, Argentine NorthwestAbstract
This article analyzes militancy of popular feminism extended in the theater from the Argentinian Northwest region between the years 2015 to 2020, in the mass contexto of movilizations against gender violence of Ni Una Menos and and the fight for legal, safe and free abortion. The militancy are an exercise in participation and collective organization in whose politicization the empowered people become aware of the need to act to reverse the situation of social inequality (Selci, 2018). In this period developed a powerfull multiplication of popular feminist militancy in
at least three áreas of theatrical action: 1. Performance of demonstrations, 2. Institutional management in theater (public and independent), 3. Performances of plays. This writing stops especially in the second field of action, linking
institutional militancy and independent theater.
Downloads
References
DI MARCO, Graciela. El pueblo feminista. Movimientos sociales y luchas feministas de las mujeres en torno a la ciudadanía. Ciudad de Buenos Aires: Biblos, 2011.
FUKELMAN, María. "Teatros independientes y feminismos", en Revista Acotaciones nº 44. Madrid: Real Escuela Superior de Arte Dramático, pp. 67-94, 2020. https://doi.org/10.32621/ACOTACIONES.2020.44.01
GÓMEZ, Máximo José. Teatro independiente y teatro de grupo: colectivos de producción, formación y construcción de conocimiento. Confluencias y divergencias de paradigmas en los grupos Nuestro Teatro y Caverna. Tese (doutorado)- Universidade Federal de Minas Gerais, Escola de Belas Artes, 2018.
GRIMSON, Alejandro. Culturas políticas y políticas culturales. Ciudad Autónoma de Buenos Aires: Fundación de Altos Estudios Sociales, 2014.
HARAWAY, Donna. Ciencia, ciborgs y mujeres. La reinvención de la naturaleza. Madrid: Cátedra, 1995
PAZ FRONTERA, Agustina. "Carolina Trebisacce: 'El feminismo es el lado B del Estado'", en Revista LATFEM, Periodismo feminista. Recuperado a partir de https://latfem.org/catalina-trebisacce-el-feminismo-es-el-lado-b-del-estado/, 2020.
PEKER, Luciana. La revolución de las hijas. Buenos Aires: Sudestada, 2018.
QUIJANO, Aníbal. "Colonialidad y modernidad/racionalidad", en Perú Indígena vol 13 n°29. Lima, 1992.
SELCI, Damián. Teoría de la militancia. Organización y poder popular. Ciudad Autónoma de Buenos Aires: Editorial Las Cuarenta, 2018.
TAYLOR, Diana. Performance. Buenos Aires: Asunto Impreso Ediciones, 2012.
VALDEZ, Tatiana Luján. "La Sodería, la casa del teatro independiente tucumano", en
Colirio Pa Que Vean. Recuperado a partir de http://coliriopaquevean.com/noticia/teatro/117/soderia-casa-teatroindependiente-tucumano, 2022.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Marina Rosenzvaig
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors agree with the following:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a license Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
