No. 28 (2022)

Published: 2022-12-21

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The Iconographic Program of the Soto Staircase in the San Esteban of Salamanca Convent (1553-1556)

Juan Pablo Rojas Bustamante

8-30
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The Artistic Impulse of Lady Catalina Fernandez of Cordoba: The Resiliance of a Woman in the 16th Century

María del Amor Rodríguez Miranda

32-54
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The Virgin of Joy by the Sculptor Roque de Balduque and its Altarpieces in the Church of Mercy in Seville

José Roda Peña

56-77
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New Data Surrounding Architect and Sculptor Luis Ortiz de Vargas and his Works in Ecija and Cordoba

Rafael Gallardo Montesinos

78-96
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A Practical Approach to Baroque Art at the Museum of Religious Colonial Art, Panama City: Christ of Humility and Patience, the Immaculate Conception, and Saint Barbara

Candy Barberena

98-119
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The Choir Stalls of the Madre de Dios Monastery in Sanlucar de Barrameda (Cadiz). Construction Process and Formal and Iconographic Analysis (1751-1752/1755-1757)

Fernando Cruz Isidoro

120-142
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On the Paintings of the School of San Teodomiro of La Compañía de Jesús in Carmona

Antonio García Baeza, Antonio Martín Pradas

144-173
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The Napoleonic prey of archaeological piezas and works of art of Rome and Italy through the iconography 1796-1816

Javier Verdugo Santos

174-199
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José García Dávila, Sevillian Silversmith of the 19th Century. Biographical and Artistic News

Francisco Amores Martínez

200-221
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Manuel de Falla and Leopoldo Torres Balbás. Evocation and the Restoration of the Alhambra

Julián Esteban Chapapría

222-251
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In Paris We Were Also Modern; The Uruguayan Pavilion at the International Exhibition of Arts and Techniques in Modern Life, 1937

William Rey Ashfield

252-269
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Sixty Years is a Short Period of Time. Luis Gordillo and the Love of the Present

Juan Jesús Torres Jurado

270-287
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Purpose(s) of Architecture and Art in José Ramón Sierra

Francisco Parrón Ortiz

288-309
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The Pop Collages Series (1977-1980) by Pedro José Pradillo; Surrendered to Coated Paper

José Miguel Muñoz Jiménez

310-332
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Between the Institutional and Self-Management. Art and Public Space in Galicia from 1990 to 2010

Jorge Viz González

334-350
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Book reviews

García Avilés, Alejandro. Imágenes encantadas. Los poderes de la imagen en la Edad Media

Pabo Joel Mendoza-Ormeño

352-355
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González Tornell, Pablo, dir., Irene Domingo Mollá, coord., Benito Navarrete Prieto, José Gómez Frenchina, José Riello, Javier Portús, y Pablo González Tornell, aut. text. Creure a través dels ulls / Creer a través de los ojos / Believing through the eyes

Elena Muñoz Gómez

356-358
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Oliveira Serrano, César, dir. El libro de los bienhechores del monasterio de san Benito el Real de Valladolid: Estudio y Edición

Javier Herrera Vicente

359-361
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Sorolla Romero, Teresa, y Víctor Mínguez. El mejor y el peor de los tiempos. 50 películas sobre la Revolución Francesa

Ángel Justo-Estebaranz

362-365
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No. 28 (2022)

Full Issue

Articles

The Iconographic Program of the Soto Staircase in the San Esteban of Salamanca Convent (1553-1556)

The Artistic Impulse of Lady Catalina Fernandez of Cordoba: The Resiliance of a Woman in the 16th Century

The Virgin of Joy by the Sculptor Roque de Balduque and its Altarpieces in the Church of Mercy in Seville

New Data Surrounding Architect and Sculptor Luis Ortiz de Vargas and his Works in Ecija and Cordoba

A Practical Approach to Baroque Art at the Museum of Religious Colonial Art, Panama City: Christ of Humility and Patience, the Immaculate Conception, and Saint Barbara

The Choir Stalls of the Madre de Dios Monastery in Sanlucar de Barrameda (Cadiz). Construction Process and Formal and Iconographic Analysis (1751-1752/1755-1757)

On the Paintings of the School of San Teodomiro of La Compañía de Jesús in Carmona

The Napoleonic prey of archaeological piezas and works of art of Rome and Italy through the iconography 1796-1816

José García Dávila, Sevillian Silversmith of the 19th Century. Biographical and Artistic News

Manuel de Falla and Leopoldo Torres Balbás. Evocation and the Restoration of the Alhambra

In Paris We Were Also Modern; The Uruguayan Pavilion at the International Exhibition of Arts and Techniques in Modern Life, 1937

Sixty Years is a Short Period of Time. Luis Gordillo and the Love of the Present

Purpose(s) of Architecture and Art in José Ramón Sierra

The Pop Collages Series (1977-1980) by Pedro José Pradillo; Surrendered to Coated Paper

Between the Institutional and Self-Management. Art and Public Space in Galicia from 1990 to 2010

Book reviews

García Avilés, Alejandro. Imágenes encantadas. Los poderes de la imagen en la Edad Media

González Tornell, Pablo, dir., Irene Domingo Mollá, coord., Benito Navarrete Prieto, José Gómez Frenchina, José Riello, Javier Portús, y Pablo González Tornell, aut. text. Creure a través dels ulls / Creer a través de los ojos / Believing through the eyes

Oliveira Serrano, César, dir. El libro de los bienhechores del monasterio de san Benito el Real de Valladolid: Estudio y Edición

Sorolla Romero, Teresa, y Víctor Mínguez. El mejor y el peor de los tiempos. 50 películas sobre la Revolución Francesa

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