Classical Reception and the Rewriting Turn in Contemporary Women’s Fiction

Women, the Classics and the Rewriting Turn in the Twenty-First Century. Nisa Cáceres, Daniel; Moreno Soldevila, Rosario (Roma Tre Press / Enredars – UPO, 2025)

Eco-Refiguration, Vengeance and Feminine Sovereignty: Victoria Grossack and Alice Underwood’s ‘Clytemnestra: The Mother’s Blade’. Sánchez Gayoso, Helena (Roma Tre Press / Enredars – UPO, 2025).

Female Survival in the Trojan Aftermath: Andromache in the Fiction of Pat Barker and Natalie Haynes. Domínguez-González, Gema (Roma Tre Press / Enredars – UPO, 2025)

The Monster’s Gaze Disrupting the Male Gaze: Trauma, Gender and Feminist Mythmaking in Rosie Hewlett’s ‘Medusa’. Burguillos Capel, María (Roma Tre Press / Enredars – UPO, 2025)

Autodiegesis and Relationality: Tracing Penelope in Margaret Atwood, Madeline Miller and Natalie Haynes. Cuevas Caballero, Marta C.; Velasco-Montiel, Carmen (Roma Tre Press / Enredars – UPO, 2025)

Women-Authored Retellings of the Classical Tradition: A Critical Survey of Scholarship and the Literary Polysystem in Spain. Cisneros Perales, Miguel (Roma Tre Press / Enredars – UPO, 2025)

Breaking Boundaries, Broadening Horizons: An Interview with Emily Hauser on the Reception of Classics. Domínguez-González, Gema (Roma Tre Press / Enredars – UPO, 2025)

Moreno Soldevila, Rosario; Nisa Cáceres, Daniel (eds.). Classical Reception and the Rewriting Turn in Contemporary Women’s Fiction. Vol. II. Sevilla, Enredars, Universidad Pablo de Olavide, Roma, Roma TrE-Press / Università degli studi Roma Tre, 2025. ISBN: 978-84-09-78187-4.